Tag Archive | "art"

The Neo-Political Cowgirls Present “VOYEUR” at Parsons Blacksmith Shop in Springs

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The sneak peak of "VOYEUR" at Guild Hall in March. Photo by Tom Kochie.

The sneak peak of “VOYEUR” at Guild Hall in March. Photo by Tom Kochie.

By Tessa Raebeck

While many 8-year-old girls spend their evenings playing with toys or watching TV, Kate Mueth preferred to wander her neighborhood in northern Illinois and peer into her neighbors’ windows.

She was not looking to see anything depraved or risqué, she was merely people watching, observing a mother helping her son with homework or a family enjoying a meal at the dinner table.

“I loved watching people wash dishes or read a book, the most seemingly mundane things,” Ms. Mueth said on Tuesday, July 22. “I was trying to make sense of my world, I was trying to make sense of my home life, how people behave…am I behaving properly? Am I normal? Am I whacked out? … and I think some people would think I am sort of whacked out, but that’s why I make art.”

Ms. Mueth, founder and director of the East Hampton-based theatre troupe The Neo-Political Cowgirls, has transferred this childhood fascination into the company’s latest production, “VOYEUR,” which opens, Thursday, July 31, at the Parsons Blacksmith Shop in Springs.

Written and directed by Ms. Mueth, “VOYEUR” is a personal reflection on time, friendship and the transient notion of normalcy.

Photo by Tom Kochie.

Photo by Tom Kochie.

Ms. Mueth believes the reason many artists, such as herself, are continually driven to create something new is because they are trying to “figure it all out.”

“It’s a very, very personal piece, surprisingly,” the director said, adding she didn’t expect it to turn out so. “I think probably, ultimately, every artist creates something very personal without even necessarily knowing it.”

In “VOYEUR,” a young girl guides the audience in small groups around the blacksmith shop’s exterior. Through a series of short vignettes, they peer from outside through the shop’s windows, watching the story of the life of another girl, the guide’s best childhood friend, unfold.

A “theater art installation,” as Ms. Mueth calls it, “VOYEUR” lasts about 20 minutes per group and explores what theater can entail.

While the actor on the exterior remains a young girl, the girl on the inside progresses through her life, growing from a child to a teenager and eventually an adult, mother and elderly woman.

“It’s essentially about two little girls who are in love as friends are in love, as little girls can be in love. It’s not a sexual thing; it’s a total friendship, sensual thing,” Ms. Mueth said. “And one of them goes away and it could be that she goes away psychologically, she goes away emotionally or literally physically moves away.”

Ms. Mueth, careful to leave the piece open to personal interpretation, said from her perspective, the little girl on the outside still yearns for the friendship she shared with the one within. While the girl inside seems to move on, however, “her life is ultimately not fully realized in terms of joy, in terms of fulfillment.”

“It’s very nostalgic for me,” the director added, “from a friendship I had growing up at a very young age, from birth, into a friendship that was really intense, really beautiful, really connected. And it broke. And it broke through betrayal and it broke through misunderstanding and it broke right around sixth grade, which is a very tricky time anyways.”

The abandonment felt by that loss of her first friendship compelled Ms. Mueth to examine time and the effects when a love that comes from such an innocent yet intense beginning is broken.

Her theater work, she said, is “always an examination of life, of emotions, of happenings, of humanity. And how we deal with it, how it feels to be human, how it feels to survive certain things in our lives.”

Ms. Mueth relates to both the young girls, the one who moves on within the blacksmith shop and the one watching from without.

“I think that’s kind of what childhood friendship is,” she said. “When you’re in one of these closely bonded friendships, where you begin and where your friend ends is kind of impossible to see.”

For girls, Ms. Mueth said, a best friend, “that person that you can be with 12 hours and still want to spend more time with,” is practice for our relationships later in life, for lovers and marriage, “of how we relate and how we love and what we get from each other in terms of nurturing.”

“VOYEUR” examines the passage of time and the impact of growing up—and often apart—on that most intimate relationship with your first best friend, “somebody who you feel that bond with and you can just go and play and be in this imagination land; you literally are creating your world together. And that’s your world—you can’t do that with just anybody.”

“VOYEUR” is July 31, August 1, 2, 7, 8, 9, at 7 p.m. until 8:20 p.m. at the Parsons Blacksmith Shop at Springs Fireplace Road and Parson Place in Springs, East Hampton.  Tickets are $15 and can be ordered ahead of time at brownpapertickets.com/event/756705.

East End Weekend: Highlights of What to Do July 25 to 27

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The Montauk Project, Chris Wood, Mark Schiavoni, Jasper Conroy and Jack Marshall, performs at Swallow East in Montauk on Friday, February 28. Photo by Ian Cooke.

The Montauk Project, Chris Wood, Mark Schiavoni, Jasper Conroy and Jack Marshall, performs at Swallow East in Montauk on Friday, February 28. Photo by Ian Cooke.

By Tessa Raebeck

From fast-growing local bands to slow food snail suppers, there’s plenty to do on the East End this weekend. Here are some highlights:

The Montauk Project is playing at Swallow East in the band’s hometown of Montauk Saturday, July 26 at 8 p.m. The local beach grunge rockers, who were born and bred on the island and are steadily gaining more recognition by music critics and enthusiasts alike, released their first full-length album, “Belly of the Beast,” in March. The band, which consists of East Hampton’s Chris Wood and Jack Marshall, Sag Harbor’s Mark Schiavoni and Jasper Conroy of Montauk, will be joined by hip hop/rock hybrid PUSHMETHOD, who were voted the best New York City hip hop group of 2013 by The Deli magazine.

Eastern Surf Magazine said of the East End group, “The Montauk Project is far tighter than every other surf-inspired East Coast rock band to come before it.” Swallow East is located at 474 West Lake Drive in Montauk. For more information, call (631) 668-8344.

 

Also on Saturday, People Say NY presents an open mic and art show at the Hayground School in Bridgehampton, starting at 8 p.m. In addition to featured grunge pop artist Adam Baranello and featured performer Danny Matos, who specializes in spoken word and hip hop, performers of all ages are encouraged to participate.

According to its mission statement, People Say NY “brings art back to the fundamentals, so we can remind ourselves why artists and art lovers alike do what we do.”

The night of music, comedy and poetry has a sign-up and $10 cover and is at the Hayground School, located at 151 Mitchell Lane in Bridgehampton. For more information, visit peoplesayny.com or check out @PeopleSayNY on Twitter and Facebook.

 

In celebration of the release of the “Delicious Nutritious FoodBook” by the Edible School Garden Group of the East End, Slow Food East End hosts a Snail Supper at the home of Judiann Carmack-Fayyaz, located at 39 Peconic Hills Drive in Southampton. The supper will be held Friday, July 25, at 6 p.m.

Guests are asked to bring a potluck dish to share that serves six to eight people and aligns with the slow food mission, as well as local beverages. Capacity is limited to 50 and tickets are $20 for Slow Food East End members and $25 for non-members. The price includes a copy of the new cookbook. Proceeds from the evening will be shared between Slow Food East End and Edible School Gardens, Ltd. Click here to RSVP.

 

Some one hundred historians will converge upon Sag Harbor to enjoy the Eastville Community Historical Society’s luncheon and walking tour of Eastville and Sag Harbor.

The day-long event starts at 8:30 a.m. with a welcome at the Old Whalers Church, located at 44 Union Street in Sag Harbor, followed by a walking tour at 9:30 a.m. to the Sag Harbor Whaling and Historical Museum, the Sag Harbor Custom House and the Sag Harbor Historical Society, which is located at Nancy Wiley’s home. A shuttle bus is available for those needing assistance.

From 11:15 a.m. to noon, guests will visit the Eastville Community Historical Society Complex to see the quilt exhibit “Warmth” at the St. David AME Zion Church and Cemetery. A luncheon catered by Page follows from 12:30 to 2:30 p.m. at the Old Whalers Church in Sag Harbor.

 

The Hilton Brothers, "Andy Dandy 5," 2007, 36 x 48 inches, pigment print. Image courtesy Peter Marcelle Project.

The Hilton Brothers, “Andy Dandy 5,” 2007, 36 x 48 inches, pigment print. Image courtesy Peter Marcelle Project.

The Peter Marcelle Project in Southampton will exhibit the Hilton Brothers, an artistic identity that emerged from a series of collaborations by artists Christopher Makos and Paul Solberg, from July 26 to August 5.

Their latest collaboration, “Andy Dandy,” is a portfolio of 20 digital pigment prints. The diptychs combine Mr. Makos’ “Altered Image” portraits of Andy Warhol with images of flowers from Mr. Solberg’s “Bloom” series.

“Andy wasn’t the kind of dandy to wear a flower in his lapel, but as ‘Andy Dandy’ demonstrates, sometimes by just altering the image of one’s work or oneself, a new beauty blooms,” the gallery said in a press release.

The gallery is open Friday through Sunday from 11 a.m. to 4 p.m. or by appointment.

East End Weekend: What to Do July 11 – 13

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Malin Abrahamsson, "Winter Lot," mixed media on canvas. Image courtesy Sara Nightingale Gallery.

Malin Abrahamsson, “Winter Lot,” mixed media on canvas. Image courtesy Sara Nightingale Gallery.

By Tessa Raebeck

From shark hunting to art grazing, a carefully-curated selection of top picks to do on the East End this weekend:

Art Market Hamptons brings booths from selected modern and contemporary galleries to Bridgehampton, returning for its fourth season from Friday, July 10 through Sunday, July 13.

Scott Bluedorn of Neoteric Fine Art.

Scott Bluedorn of Neoteric Fine Art.

With 40 participating galleries, Art Market is more exclusive than other art fairs. Local galleries like Neoteric Fine Art, Sara Nightingale Gallery and Grenning Gallery will feature their artists in booths.

The fair is open from 11 a.m. to 7 p.m. Friday, July 11, and Saturday, July 12, and from 12 to 6 p.m. Sunday, July 13, at the Bridgehampton Historical Society, located at 2368 Montauk Highway in Bridgehampton.

 

The Silas Marder Gallery in Bridgehampton shows East Hampton artist Richmond Burton in an exhibition running July 12 through August 11.

“Known for his dazzling kaleidoscopic abstractions, Richmond Burton melds geometry and naturalism to usher the pictorial language of his predecessors into a contemporary context,” the gallery said in a press release. “With swift, vibrantly hued marks, Burton creates densely gridded compositions that morph into expansive waves of pattern, their overlapping rhythms at once steady and unstable.”

The exhibition will feature Mr. Burton’s last large-scale paintings created in his East Hampton studio, as well as his more recent works. An opening reception is Saturday, July 12, from 5 to 8 p.m. at the Silas Marder Gallery, located at 120 Snake Hollow Road in Bridgehampton.

 

The Shark’s Eye All-Release Tournament & Festival returns to Montauk Friday, July 11 through Sunday, July 13.

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A little girl watches a shark being tagged at the Shark’s Eye Festival and Tournament in 2012. Photo by Tessa Raebeck.

The weekend-long event is “Montauk’s only satellite tag, catch-and-release, high stakes, big game sport fishing competition combined with cutting-edge science, conservation and informative entertainment focused on saving sharks,” according to a press release.

The tournament, held in the Montauk Marine Basin, offers prize money of $10,000. In 2013, participating teams tagged and released 64 sharks, including 33 mako and 31 blue sharks. Four sharks were tagged with satellite tracking devices.

Although it may sound scary, the event offers fun for the whole family, as kids can see sharks up-close-and-personal and learn about conservation and marine wildlife. The festival is free to the public on Saturday, July 12, from 3 to 7 p.m. and on Sunday, July 13, from 2 to 6 p.m. A dock part Saturday night runs until 10 p.m.

The tournament and festival are supported by marine artist and conservationist Guy Harvey of the Guy Harvey Ocean Foundation.

“There is no other fishing tournament like Shark’s Eye,” Mr. Harvey said in the press release. “This tournament combines the thrill of shark fishing, practical conservation measures, and meaningful fisheries research and community involvement into a single event. It is truly the future of shark fishing tournaments.

The Montauk Marine Basin is located at 426 West Lake Drive in Montauk. For more information, call (631) 668-5900.

 

In its annual Sag Harbor house tour, the John Jermain Memorial Library presents five homes–one in North Haven and four in Sag Harbor Village–to the public. The houses were specially picked for their unique and personalized interior decorating and for the feeling of “home” each conveyed. For more information on the house tour: read the Express’ full article here.

East End Weekend: Highlights of July Fourth Weekend

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Casey Evans in a San Lorenzo bikini.

Casey Evans in a San Lorenzo bikini on the beach in East Hampton.

By Tessa Raebeck

Norma Jean Pilates and San Lorenzo Bikinis are hosting a party in Sag Harbor tonight, Thursday, July 3, from 6 to 8 p.m. The event is celebrating the East Coast launch of San Lorenzo Bikinis. Guests can shop for bikinis, enjoy “bikini-friendly bites” and enter contests for “amazing” giveaways from local businesses like Happy Bowls, Flying Point and Wampum. Norma Jean Pilates is located at 52 Main Street in Sag Harbor.

To RSVP to the private party, email Abigail Gawronski at argawronski@gmail.com.

 

Mark Borghi Fine Art in Bridgehampton will showcase Bob Dylan’s work July 4 to July 18. “The Drawn Blank Series” showcases the musician’s colorful paintings and will be celebrated with an opening reception Thursday, July 3, from 6 to 9 p.m. at Mark Borghi Fine Art, 2426 Main Street in Bridgehampton. For more information or to RSVP, call (631) 537-7245 or visit borghi.org.

 

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“Art on the Edge” opens at Vered Contemporary in East Hampton SaturdayJuly 5, with an opening reception from 9 to 11 p.m. The expanded exhibition, an annual survey of the contemporary art of new and provocative painters, sculptors and photographers, will be on view July 5 to August 4. Nineteen modern artists will be featured.

The gallery is located at 68 Park Place in East Hampton.For more information, call (631) 324-3303 or visit veredcontemporary.com.

 

“Positivilly Marvillainous” opens at the Eric Firestone Gallery with an opening reception Saturday, July 5, from 6 to 9 p.m.

“Expanding on tradition doesn’t necessarily demand the push towards perfection or a high polish,” the gallery said in a press release. “Rather, it can entail building on established conventions in a particular artist’s unique voice. Today, contemporary artists, knowingly or unknowingly, reference George Herriman’s historically overlooked, unpretentious and universally accessible fantasy, Krazy Kat, a comic strip that ran in American newspapers from 1913 until 1944. The artists in Positivilly Marvillainous embrace tensions, arising from Herriman’s formal qualities in character portrayal, including those between line and shade, humor and drama, human and animal, collage and décollage, marvelous and villainous.”

The Eric Firestone Gallery is located at 4 Newtown Lane in East Hampton. For more information, call (631) 604-2386 or visit ericfirestonegallery.com.

In Paying Tribute to the Masters, Joël Moens de Hase Pushes the Boundary Between Art and Pornography

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A tribute by JoThe Girl with the Pearl Earring  was created in 1665 by Johannes Vermeer (1632-1675) This is a 21st century tribute to the masterpiece."The Girl with the Pearl Earring  was created in 1665 by Johannes Vermeer (1632-1675) This is a 21st century tribute to the masterpiece.

A tribute by Joël Moens de Hase to “Girl with a Pearl Earring,” created in 1665 by Johannes Vermeer. Image courtesy Monika Olko Gallery.

By Tessa Raebeck

Joël Moens de Hase has collected over 75,000 images of the lower half of women’s bodies, but his wife doesn’t seem to mind.

Mr. Moens de Hase, whose work will be on view at the Monika Olko Gallery in Sag Harbor from Friday, July 4, through August 1, collects the images online and then fashions them into mosaics, creating portraits and larger images of the lower half of women’s bodies, as well as reinventing masterpieces like “The Kiss” by Gustav Klimt and Johannes Vermeer’s “Girl with a Pearl Earring.”

After starting out as a painter, the Belgian artist began using computers in 2011.

“I think it’s the media of the future,” Mr. Moens de Hase said in a phone interview this week. “I switched my canvas for my computer and I switched the pencil for the mouse.”

Each digital print is comprised of some 7,000 vignettes taken from the internet. They are shrunken down in size and arranged into digital mosaics, which are then colored to replicate the classic pieces. From afar, “Girl with a Pearl Earring” looks like the 1665 original, but upon closer investigation, it is construed of thousands of bikini bottoms—a likely shock to the average art historian.

Initially focused on small bikinis that then give way to large bikinis, Mr. Moens de Hase has expanded his collection to include digital print replications of Japanese-style paintings of geishas, portraits of Marilyn Monroe and reinterpretations of the work of masters including Leonardo da Vinci and Edvard Munch.

Joel Moens de Hase, Portrait of Marilyn, 2014, 39.5 x 39.5, Archival Digital.

Joël Moens de Hase, Portrait of Marilyn, 2014, 39.5 x 39.5, Archival Digital.

“It is a tribute to old masters, but it’s also contemporary, so it has a little bit of duality in it,” said the artist.

Mr. Moens de Hase’s work is, perhaps obviously, intended to be controversial. The thousands of bikini images that make up “Adoration Bleu” expand outward to depict a nun gazing toward the sky. Another shows the eyes of a woman wearing a hijab.

“The devil is absolutely in the details,” said Wafa Faith Hallam, an author and the art curator and gallery manager at the Monika Olko Gallery.

Ms. Faith Hallam said she was taken aback at first by her attraction to the pieces. As a feminist, she questioned her enjoyment of art that seemingly objectifies women.

But art, she said, is “all about how it makes you feel.” After a year of showcasing Mr. Moens de Hase’s work, she said nine of 10 clients who purchase the images are women.

“Women have had an amazingly positive response to these pictures—they love them. They’re beautifully done, they’re not offensive and they are…some of them are even a little risqué,” she said.

“But they’re a good conversation piece, they’re not in your face and they’re pleasing,” she added. “So they don’t become as, maybe, threatening to women as pornography would.”

Men, she said, are understandably hesitant to bring a mosaic of women’s lower halves home to their wives. Their wives, on the other hand, say, “Oh, I see this in my game room, I see this in my bedroom, this could go up in our powder room…it’s no issue,” according to Ms. Faith Hallam.

Mr. Moens de Hase, who Ms. Faith Hallam said, is “not at all the kind of person you would think that would be doing this,” said his reason for choosing to make art out of thousands of images of small bikinis is both technical and subconscious.

Joël Moens de Hase "Adele Bloch, Tribute to Klimt," 2014, 39.5 x 39.5, Archival DIgital.

Joël Moens de Hase “Adele Bloch, Tribute to Klimt,” 2014, 39.5 x 39.5, Archival Digital.

“On the technical side,” he said, “I needed to have very simple structures to have a good result on the large scale, because I did try to use other small pictures like faces or places, but when they get very small you don’t see it anymore. The end result was not so good.”

“And then there’s the subconscious part, of course,” he continued. “Why did I do it? You should ask my subconscious. It’s also personal history, of course, and it’s also the charm about love and women.”

He has been asked by several of the gallery’s clients to create mosaics using the other sex, but he’s not thrilled at the notion of searching the internet for 75,000 images.

“You cannot do something with your heart if you don’t like it, especially in art,” said Mr. Moens de Hase, adding of his work, “Maybe there’s also suffering in it.”

Joël Moens de Hase, “A Digital Art Tribute to the Masters,” will be on view July 4 to August 1 at the Monika Olko Gallery, located at 95 Main Street in Sag Harbor. An opening reception will be held Saturday, July 5, from 6 to 8 p.m. For more information, call (631) 899-4740 or visit the gallery’s website.

On View in East Hampton: FAPE Fills American Embassies with Art

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"View Points" by William Wegman, with his dog Penny, 2005.

“View Points” by William Wegman, with his dog Penny, 2005. Part of the FAPE collection now on view at Guild Hall.

By Tessa Raebeck

Art needs no language to be understood; it communicates without spoken word.

This is the idea behind FAPE, the Foundation for Art and Preservation in Embassies, which aims to promote unity and open communication across cultures and countries by putting artwork in United States embassies across the world.

Honoring the long connection between American artists and the East End, the first comprehensive exhibition of FAPE’s collection is opening Saturday, June 28, at Guild Hall in East Hampton. It will be on view through July 27.

FAPE started in 1989 with Frank Stella’s donation of enough prints of “The Symphony” to be sent to every American embassy. It has grown to include the work of noted artists such as Chuck Close, Jasper Johns, Ellsworth Kelly, Roy Lichtenstein and Robert Rauschenberg.

“For the first time, the public will have the rare opportunity to view works commissioned by and donated to FAPE by some of this country’s most iconic artists in a concentrated setting,” said FAPE Chairman Jo Carole Lauder in a press release. “We celebrate these artists’ generosity and the places they hold in the history of American art.”

“Jo Carole Lauder asked me if I wanted to do something and of course I said yes, because it’s a really good thing,” said William Wegman, a FAPE artist known for his books and photos of his pet Weimaraners, the tall and thin gray dogs that were originally bred and used by royalty for hunting. “Also, Jo Carole is a really good supporter of the arts and anything she recommends tends to be worthwhile.”

Mr. Wegman is currently focusing on geometric shapes and sculpture in his photos.

“One of my dogs, Topper, is such a magnificent piece of sculpture and he likes being on top of things,” he explained. “So, I’m accommodating him—I usually do change according to the dogs.”

The first dog he photographed was Man Ray, who became so popular the Village Voice named him “Man of the Year” in 1982. Since then, he’s photographed Fay, her daughter Batty who “was very narcoleptic and could care less,” and an assortment of other Weimaraner personalities.

Batty, he said, “was willing to do anything, but had this sort of whatever attitude, was very comic where Fay was kind of scary and serious.”

“So, when I was casting my first children’s book, Fay became both the Fairy Godmother and the Evil Stepmother and Batty became Cinderella,” he added.

Fay’s firstborn son, Chundo, resembled a prince, but could also be a wolf, as in Mr. Wegman’s well-known 1993 book, “Little Red Riding Hood.”

Chundo, said the artist, was “named after the biggest person I ever met in the south of Chile on a trip I made back in the ’80s.”

After that came Chip, Batty’s son, who was “incredibly handsome and kind of sad looking, so in a lot of my books he became this kind of wistful boyish figure that things happen to.”

Chip’s son Bobbin was “much more scary looking and looked really quite evil, even though he wasn’t. He just had a very severe, humorless face.”

One of Mr. Wegman’s current dogs, Penny, who is featured in the FAPE exhibition, was on the cover of National Geographic. He was asked to create a photo to accompany a February 2012 article on the dog genome.

Penny, who wore dozens of wigs and costumes for the photo shoot, was his best worker, “probably the only dog I never once had to reprimand,” he said.

“She was really remarkable, very still and had this sort of inner quiet to her,” added Mr. Wegman. “Unless there was a thunderstorm and then she disappeared.”

Throughout the exhibition, Guild Hall is hosting panels with the artists, curators and FAPE personnel. Guest Curator Robert Starr, chairman of FAPE’s Professional Fine Arts Committee and dean of the Yale School of Art, is moderating the opening panel on Saturday, June 28, from 3 to 4 p.m.

Panelists include artists Tina Barney, Lynda Benglis, Mr. Close, Joel Shapiro and Carrie Mae Weems. Two additional panels will be held Sunday, July 20, and Sunday, July 27, at 11 a.m.

Lynda Benglis. Untitled (Half Sphere). 2007. Cast bronze. 37.5 x 36 x 17.5 in. Part of the FAPE collection on view at Guild Hall.

Lynda Benglis. Untitled (Half Sphere). 2007. Cast bronze. 37.5 x 36 x 17.5 in. Part of the FAPE collection on view at Guild Hall.

Ms. Benglis first made waves when she burst onto the art scene in the ‘70s. In an ad for Artforum in 1974, she posed naked with a giant fake penis, aiming to mock both artists and feminists who take themselves too seriously, as well as the idea of sexuality. Needless to say, it caused some backlash.

Today, Ms. Benglis splits her time between several art studios from India to New Mexico, working on different projects at each and returning to her home in East Hampton for grounding.

“This is my thinking place and my home,” she said Friday, sitting with her dachshund Pi surrounded by a green jungle of trees on her back deck in the Northwest Woods.

“Their mission,” she said of FAPE, “is to get arts into the public sphere—particularly for peaceful means—to encourage a kind of communication with other countries and embassies and make things more relaxed.”

“We’re a small world now and art is nonviolent, nonpolitical,” she said, adding, “The art’s really about communication and that’s why we have an embassy project, that’s why we have FAPE.”

The opening reception of FAPE’s exhibition is Saturday, June 28, from 4 to 6 p.m. at Guild Hall, located at 158 Main Street in East Hampton. For more information, call (631) 324-0806 or visit guildhall.org.

“Some of the Best Poets on Long Island” at the Wolffer Estate

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Poet Tyler Armstrong. Photo by Michael Heller.

Poet Tyler Armstrong. Photo by Michael Heller.

By Tessa Raebeck

Following the success of his first poetry reading at Wölffer, Tyler Armstrong of East Hampton will be sharing his poetry at the vineyard again Tuesday, June 17.

“I am really pleased to be a major part of the resurgence of poetry as a prominent art form in the area, and I think this reading series can bring a lot to the movement,” Mr. Armstrong said.

Mr. Armstrong’s poetry attracted the attention of Ed Stever, the Poet Laureate of Suffolk County, who has signed on to read his own works at Tuesday’s reading, along with a variety of local readers of all ages. With what Mr. Armstrong calls “some of the best poets on Long Island,” the evening also features the work of Amy Cammel, Tom Olezczsuk, Molly Weiss, Malik Solomon and Emma Macwhinnie.

As part of its Locals Nights every Tuesday, Wölffer offers half-price glasses of wine from 6 to 8 p.m. in the main winery, 3312 Montauk Highway in Sagaponack. Food and half-price wine are available for purchase from 4 to 8 p.m. Entry is $10 per person. For more information, call (631) 537-5106 or visit wolffer.com.

A Tribal War Dancer, a Beekeeper, a Slew of Artists and More at PechaKucha at the Parrish Art Museum

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Michael Halsband's photograph of Andy Warhol & Jean-Michel Basquiat #143 New York City, July 10, 1985. Mr. Halsband is one of 10 presenters from various fields who will present at PechaKucha Night Hamptons at the Parrish Art Museum Friday, June 13. Image courtesy of Michael Halsband.

Michael Halsband’s photograph of Andy Warhol & Jean-Michel Basquiat #143 New York City, July 10, 1985. Mr. Halsband is one of 10 presenters from various fields who will present at PechaKucha Night Hamptons at the Parrish Art Museum Friday, June 13. Image courtesy of Michael Halsband.

By Tessa Raebeck

When Michael Halsband announced, “I’m into photography,” to his parents at age 10, they promised to buy him a camera if he was still into it in a year. A few years later, he had gained admission to the School of Visual Arts in Manhattan, photographed the likes of Andy Warhol, David Byrne and Klaus Nomi (the latter for his senior thesis)—and earned that camera. A year after graduating, he was photographing Keith Richards for the cover of Rolling Stone.

Mr. Halsband will be one of 10 presenters at the eighth edition of PechaKucha Night Hamptons at the Parrish Art Museum this Friday, June 13. The program, now in its third year, introduces the community to some of its most intriguing members through rapid-fire presentations about living creatively on the East End. Each speaker shows 20 slides for 20 seconds, sharing a life of creativity in six minutes and 40 seconds.

Organized at the Parrish by Curator of Special Projects Andrea Grover, who recently won a major award given for innovation, PechaKucha presentations began in Tokyo—PechaKucha means “chit-chat” in Japanese—in 2003 and are now given all over the world in over 700 cities.

Friday’s presenters include May Castleberry, who edits and produces hand-bound books for the Library Council of the Museum of Modern Art; artist Mirella Cheeseman, creator of the food and culture blog Santosha; painter Sabra Moon Elliot; Mr. Halsband; artist and educator John Messinger of East Hampton; Greenport oyster farmer Michael Osinski; Shinnecock Indian Nation member James Keith Phillips, who is a writer, celebrated Eastern war dancer and licensed clinical social worker; mixed-media artist and award-winning photographer Bastienne Schmidt; Ezra Thompson, a featured artist at the 2013 “Artists Choose Artists” exhibition at the Parrish; and beekeeper Mary Woltz, founder and owner of Bees’ Needs.

After his Keith Richards cover shoot, Mr. Halsband was asked by Mick Jagger to join the group as the tour photographer for the Rolling Stones’ 1981-82 “Tattoo You” North American tour. Several years later, he created his most iconic photograph, a portrait of Andy Warhol and Jean-Michel Basquiat wearing boxing gloves. He spent the next decades making album covers, photographing fashion and portraits, and working on international ad campaigns.

As of Monday, Mr. Halsband had not pinned down his strategy in fitting a portfolio onto 20 slides that spans more than three decades and the stories that would naturally come from going on tour with the Rolling Stones, directing a Li’l Bow Wow television commercial or creating a series of pin-up photograph and portraits of strippers and sex industry workers.

Raised in New York City but having grown to love the East End, Mr. Halsband is also a filmmaker and surfer. He founded Surf Movie Night in East Hampton and juries the Atlantic Vibrations film program at the Parrish, which premiered last summer. On Friday, however, he will focus on the hobby he found when he was 10: photography.

“I’ve taken on such a big monster by just even trying to encapsulate my life into six minutes and 40 seconds, so I feel like I would be cheating people if I started showing any film,” he said, adding he would give “background stories of the images and how I came to take them, the adventures I had.”

The portfolios and areas of expertise of the presenters are as varied as the roster itself. Mixed media artist Bastienne Schmidt works with photography, drawing and painting in her Bridgehampton studio.

Ms. Schmidt’s presentation will focus on “the sense of personal space that we create,” she said Monday, adding she will speak of her latest book and accompanying exhibition, “Topography of Quiet,” opening June 28 at Ille Arts in Amagansett.

“I grew up in Greece, Italy, Germany and the United States, so for me it’s always a very important concept to really be in a place and to be inspired by it. And to take something with me from that place, but also to create topology to compare things and structures, because every place is so different,” she said.

The rapid-fire format of the PechaKucha presentations, Ms. Schmidt added, “really makes you revisit how you want to present something, because it’s not necessarily about, ‘Oh, I want to show my 15 most beautiful paintings. It’s more like, you take the audience onto a journey.”

“It’s a great way to introduce somebody from the community, to know what they’re really about and it makes you curious to know more,” she added.

There is much to learn about each of the 10 presenters Friday. Beekeeper Mary Woltz calls “the girls,” her bees, the hardest working members of the food chain.

“Powwow season is in full swing,” tribal dancer James Keith Phillips said in an email Monday. A member of the Shinnecock Indian Nation, which has one of the 10 great powwows held in the United States, according to USA Today, Mr. Phillips is also a writer and social worker.

Artist John Messinger grew up in East Hampton and was the Watermill Center’s 20th annual International Artist in Residence. His recent works include “Facebook Makes Us Lonely” and “Learning to Meditate.”

To answer the first question he ever heard, his father’s panicked, “Is he breathing?” when he was born in a Volvo in Midtown Manhattan traffic, Mr. Messinger went on a trip exploring the country, resulting in “Learning to Meditate.”

“Throughout the course of my trip, I learned, and have been relearning each day since, that meditation, like art, will never provide me with the whole picture,” Mr. Messinger said on his website. “Notions of truth, like our views of self, are too big, too mercurial, too slippery to hold. Instead, our thoughts, like images, must be accepted as fragments, that when considered and held together in light, can sometimes offer us an alternate perspective.”

Perhaps those fragments will be in 20-second intervals Friday.

PechaKucha Night Hamptons, Vol. 8 at the Parrish Art Museum is Friday, June 13, at 6 p.m. For more information, visit parrishart.org or call (631) 283-2118.

For Anti-Poaching Efforts, a Benefit for Elephants and Rhinos in Southampton

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Image by artist Lucy Cookson, courtesy Artists for Elephants.

Image by artist Lucy Cookson, courtesy Artists for Elephants.

By Tessa Raebeck

An art show to benefit the International Anti-Poaching Foundation (IAPF), “Artists for Elephants and Rhinos” opens Saturday, June 14 at the Dora Frost Studio in Southampton.

“Wildlife crime is sweeping the planet,” organizers Dora Frost and Carolyn Chichester wrote in an email. “The illegal trafficking of wildlife is now one of the world’s largest criminal industries, with repeated links to terrorism networks. It is an industry now worth close to $20 billion a year, ranking it fourth behind drugs, weapons, and human trafficking as a global criminal activity.”

Blair Seagram Archival Print 13 inches x 19 inches  "School of Fish, Mangroves, Bonaire" Bonaire, Dutch Islands, 2014

Blair Seagram
Archival Print
13 inches x 19 inches
“School of Fish, Mangroves, Bonaire”
Bonaire, Dutch Islands, 2014

“High Target Species such as elephant and rhino are being hunted to extinction. These animals are the most difficult to protect, as poachers go to the most extreme lengths to kill them. If we can safeguard these animals, then entire ecosystems are protected,” they added.

The International Anti-Poaching Foundation trains, equips, manages and supports anti-poaching rangers to defend these targeted species. Ms. Chichester spent time observing the anti-poaching effort this past winter with IAPF rangers and Founder and CEO Damien Mander in Zimbabwe.

You can watch two 60 Minutes segments on IAPF and Damien Mander here and here.

The participating artists include: Dora Frost, Blair Seagram, Dalton Portella, Kimberly Goff, Judith Witlin, Sander Witlin, Lucy Cookson, Dinah Maxwell Smith, Alice Ryan, Allan Ryan, John Rist and Trevor Boteler.

The benefit is invitation only at the Dora Frost Studio, 15 Windmill Lane in Southampton on Saturday, June 14, from 5 to 8 p.m. The show will run at the gallery through Tuesday, June 17.

Bridgehampton Local Jake Patterson Making a Name for Himself in the Art World—and the Rap World, too

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A still shot of Bridgehampton native and up-and-coming performance artist Yung Jake, from his latest music video, "Look."

A still shot of Bridgehampton native and up-and-coming performance artist Yung Jake, from his latest music video, “Look.”

By Genevieve Kotz

Yung Jake, an up-and-coming artist/rapper from Bridgehampton, having recently had an exhibition of his work at Steve Turner Contemporary in Los Angeles, is quickly gaining recognition for his contributions to both the art and rap music worlds.

Yung Jake, also known as Jake Patterson from Bridgehampton High School’s class of 2008, received his BFA from CalArts in Los Angeles.

At the Steve Turner Gallery, Jake showed “Drawings,” a series of screen installations with a lone computer mouse moving on each screen.

Yung Jake also premiered his iPhone-filmed music video “Look” at the exhibition, which ran until May 31 and was featured in the Huffington Post.

In a similar theme to his visual art, Yung Jake’s music videos are internet-inspired, featuring HTML code, YouTube clips and colorful pixels.

“The young artist speaks and lives in the language of the net, telling stories as complex, multivalent, frivolous and raw as infinite material lurking in your browser,” said the Huffington Post. “Sometimes it feels like Yung Jake wasn’t born on the internet, he is the internet.”

To see more of Yung Jake’s work and videos, visit his website at yungjake.tumblr.com.