Tag Archive | "art"

East End Weekend: What to Do July 11 – 13

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Malin Abrahamsson, "Winter Lot," mixed media on canvas. Image courtesy Sara Nightingale Gallery.

Malin Abrahamsson, “Winter Lot,” mixed media on canvas. Image courtesy Sara Nightingale Gallery.

By Tessa Raebeck

From shark hunting to art grazing, a carefully-curated selection of top picks to do on the East End this weekend:

Art Market Hamptons brings booths from selected modern and contemporary galleries to Bridgehampton, returning for its fourth season from Friday, July 10 through Sunday, July 13.

Scott Bluedorn of Neoteric Fine Art.

Scott Bluedorn of Neoteric Fine Art.

With 40 participating galleries, Art Market is more exclusive than other art fairs. Local galleries like Neoteric Fine Art, Sara Nightingale Gallery and Grenning Gallery will feature their artists in booths.

The fair is open from 11 a.m. to 7 p.m. Friday, July 11, and Saturday, July 12, and from 12 to 6 p.m. Sunday, July 13, at the Bridgehampton Historical Society, located at 2368 Montauk Highway in Bridgehampton.

 

The Silas Marder Gallery in Bridgehampton shows East Hampton artist Richmond Burton in an exhibition running July 12 through August 11.

“Known for his dazzling kaleidoscopic abstractions, Richmond Burton melds geometry and naturalism to usher the pictorial language of his predecessors into a contemporary context,” the gallery said in a press release. “With swift, vibrantly hued marks, Burton creates densely gridded compositions that morph into expansive waves of pattern, their overlapping rhythms at once steady and unstable.”

The exhibition will feature Mr. Burton’s last large-scale paintings created in his East Hampton studio, as well as his more recent works. An opening reception is Saturday, July 12, from 5 to 8 p.m. at the Silas Marder Gallery, located at 120 Snake Hollow Road in Bridgehampton.

 

The Shark’s Eye All-Release Tournament & Festival returns to Montauk Friday, July 11 through Sunday, July 13.

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A little girl watches a shark being tagged at the Shark’s Eye Festival and Tournament in 2012. Photo by Tessa Raebeck.

The weekend-long event is “Montauk’s only satellite tag, catch-and-release, high stakes, big game sport fishing competition combined with cutting-edge science, conservation and informative entertainment focused on saving sharks,” according to a press release.

The tournament, held in the Montauk Marine Basin, offers prize money of $10,000. In 2013, participating teams tagged and released 64 sharks, including 33 mako and 31 blue sharks. Four sharks were tagged with satellite tracking devices.

Although it may sound scary, the event offers fun for the whole family, as kids can see sharks up-close-and-personal and learn about conservation and marine wildlife. The festival is free to the public on Saturday, July 12, from 3 to 7 p.m. and on Sunday, July 13, from 2 to 6 p.m. A dock part Saturday night runs until 10 p.m.

The tournament and festival are supported by marine artist and conservationist Guy Harvey of the Guy Harvey Ocean Foundation.

“There is no other fishing tournament like Shark’s Eye,” Mr. Harvey said in the press release. “This tournament combines the thrill of shark fishing, practical conservation measures, and meaningful fisheries research and community involvement into a single event. It is truly the future of shark fishing tournaments.

The Montauk Marine Basin is located at 426 West Lake Drive in Montauk. For more information, call (631) 668-5900.

 

In its annual Sag Harbor house tour, the John Jermain Memorial Library presents five homes–one in North Haven and four in Sag Harbor Village–to the public. The houses were specially picked for their unique and personalized interior decorating and for the feeling of “home” each conveyed. For more information on the house tour: read the Express’ full article here.

East End Weekend: Highlights of July Fourth Weekend

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Casey Evans in a San Lorenzo bikini.

Casey Evans in a San Lorenzo bikini on the beach in East Hampton.

By Tessa Raebeck

Norma Jean Pilates and San Lorenzo Bikinis are hosting a party in Sag Harbor tonight, Thursday, July 3, from 6 to 8 p.m. The event is celebrating the East Coast launch of San Lorenzo Bikinis. Guests can shop for bikinis, enjoy “bikini-friendly bites” and enter contests for “amazing” giveaways from local businesses like Happy Bowls, Flying Point and Wampum. Norma Jean Pilates is located at 52 Main Street in Sag Harbor.

To RSVP to the private party, email Abigail Gawronski at argawronski@gmail.com.

 

Mark Borghi Fine Art in Bridgehampton will showcase Bob Dylan’s work July 4 to July 18. “The Drawn Blank Series” showcases the musician’s colorful paintings and will be celebrated with an opening reception Thursday, July 3, from 6 to 9 p.m. at Mark Borghi Fine Art, 2426 Main Street in Bridgehampton. For more information or to RSVP, call (631) 537-7245 or visit borghi.org.

 

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“Art on the Edge” opens at Vered Contemporary in East Hampton SaturdayJuly 5, with an opening reception from 9 to 11 p.m. The expanded exhibition, an annual survey of the contemporary art of new and provocative painters, sculptors and photographers, will be on view July 5 to August 4. Nineteen modern artists will be featured.

The gallery is located at 68 Park Place in East Hampton.For more information, call (631) 324-3303 or visit veredcontemporary.com.

 

“Positivilly Marvillainous” opens at the Eric Firestone Gallery with an opening reception Saturday, July 5, from 6 to 9 p.m.

“Expanding on tradition doesn’t necessarily demand the push towards perfection or a high polish,” the gallery said in a press release. “Rather, it can entail building on established conventions in a particular artist’s unique voice. Today, contemporary artists, knowingly or unknowingly, reference George Herriman’s historically overlooked, unpretentious and universally accessible fantasy, Krazy Kat, a comic strip that ran in American newspapers from 1913 until 1944. The artists in Positivilly Marvillainous embrace tensions, arising from Herriman’s formal qualities in character portrayal, including those between line and shade, humor and drama, human and animal, collage and décollage, marvelous and villainous.”

The Eric Firestone Gallery is located at 4 Newtown Lane in East Hampton. For more information, call (631) 604-2386 or visit ericfirestonegallery.com.

In Paying Tribute to the Masters, Joël Moens de Hase Pushes the Boundary Between Art and Pornography

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A tribute by JoThe Girl with the Pearl Earring  was created in 1665 by Johannes Vermeer (1632-1675) This is a 21st century tribute to the masterpiece."The Girl with the Pearl Earring  was created in 1665 by Johannes Vermeer (1632-1675) This is a 21st century tribute to the masterpiece.

A tribute by Joël Moens de Hase to “Girl with a Pearl Earring,” created in 1665 by Johannes Vermeer. Image courtesy Monika Olko Gallery.

By Tessa Raebeck

Joël Moens de Hase has collected over 75,000 images of the lower half of women’s bodies, but his wife doesn’t seem to mind.

Mr. Moens de Hase, whose work will be on view at the Monika Olko Gallery in Sag Harbor from Friday, July 4, through August 1, collects the images online and then fashions them into mosaics, creating portraits and larger images of the lower half of women’s bodies, as well as reinventing masterpieces like “The Kiss” by Gustav Klimt and Johannes Vermeer’s “Girl with a Pearl Earring.”

After starting out as a painter, the Belgian artist began using computers in 2011.

“I think it’s the media of the future,” Mr. Moens de Hase said in a phone interview this week. “I switched my canvas for my computer and I switched the pencil for the mouse.”

Each digital print is comprised of some 7,000 vignettes taken from the internet. They are shrunken down in size and arranged into digital mosaics, which are then colored to replicate the classic pieces. From afar, “Girl with a Pearl Earring” looks like the 1665 original, but upon closer investigation, it is construed of thousands of bikini bottoms—a likely shock to the average art historian.

Initially focused on small bikinis that then give way to large bikinis, Mr. Moens de Hase has expanded his collection to include digital print replications of Japanese-style paintings of geishas, portraits of Marilyn Monroe and reinterpretations of the work of masters including Leonardo da Vinci and Edvard Munch.

Joel Moens de Hase, Portrait of Marilyn, 2014, 39.5 x 39.5, Archival Digital.

Joël Moens de Hase, Portrait of Marilyn, 2014, 39.5 x 39.5, Archival Digital.

“It is a tribute to old masters, but it’s also contemporary, so it has a little bit of duality in it,” said the artist.

Mr. Moens de Hase’s work is, perhaps obviously, intended to be controversial. The thousands of bikini images that make up “Adoration Bleu” expand outward to depict a nun gazing toward the sky. Another shows the eyes of a woman wearing a hijab.

“The devil is absolutely in the details,” said Wafa Faith Hallam, an author and the art curator and gallery manager at the Monika Olko Gallery.

Ms. Faith Hallam said she was taken aback at first by her attraction to the pieces. As a feminist, she questioned her enjoyment of art that seemingly objectifies women.

But art, she said, is “all about how it makes you feel.” After a year of showcasing Mr. Moens de Hase’s work, she said nine of 10 clients who purchase the images are women.

“Women have had an amazingly positive response to these pictures—they love them. They’re beautifully done, they’re not offensive and they are…some of them are even a little risqué,” she said.

“But they’re a good conversation piece, they’re not in your face and they’re pleasing,” she added. “So they don’t become as, maybe, threatening to women as pornography would.”

Men, she said, are understandably hesitant to bring a mosaic of women’s lower halves home to their wives. Their wives, on the other hand, say, “Oh, I see this in my game room, I see this in my bedroom, this could go up in our powder room…it’s no issue,” according to Ms. Faith Hallam.

Mr. Moens de Hase, who Ms. Faith Hallam said, is “not at all the kind of person you would think that would be doing this,” said his reason for choosing to make art out of thousands of images of small bikinis is both technical and subconscious.

Joël Moens de Hase "Adele Bloch, Tribute to Klimt," 2014, 39.5 x 39.5, Archival DIgital.

Joël Moens de Hase “Adele Bloch, Tribute to Klimt,” 2014, 39.5 x 39.5, Archival Digital.

“On the technical side,” he said, “I needed to have very simple structures to have a good result on the large scale, because I did try to use other small pictures like faces or places, but when they get very small you don’t see it anymore. The end result was not so good.”

“And then there’s the subconscious part, of course,” he continued. “Why did I do it? You should ask my subconscious. It’s also personal history, of course, and it’s also the charm about love and women.”

He has been asked by several of the gallery’s clients to create mosaics using the other sex, but he’s not thrilled at the notion of searching the internet for 75,000 images.

“You cannot do something with your heart if you don’t like it, especially in art,” said Mr. Moens de Hase, adding of his work, “Maybe there’s also suffering in it.”

Joël Moens de Hase, “A Digital Art Tribute to the Masters,” will be on view July 4 to August 1 at the Monika Olko Gallery, located at 95 Main Street in Sag Harbor. An opening reception will be held Saturday, July 5, from 6 to 8 p.m. For more information, call (631) 899-4740 or visit the gallery’s website.

On View in East Hampton: FAPE Fills American Embassies with Art

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"View Points" by William Wegman, with his dog Penny, 2005.

“View Points” by William Wegman, with his dog Penny, 2005. Part of the FAPE collection now on view at Guild Hall.

By Tessa Raebeck

Art needs no language to be understood; it communicates without spoken word.

This is the idea behind FAPE, the Foundation for Art and Preservation in Embassies, which aims to promote unity and open communication across cultures and countries by putting artwork in United States embassies across the world.

Honoring the long connection between American artists and the East End, the first comprehensive exhibition of FAPE’s collection is opening Saturday, June 28, at Guild Hall in East Hampton. It will be on view through July 27.

FAPE started in 1989 with Frank Stella’s donation of enough prints of “The Symphony” to be sent to every American embassy. It has grown to include the work of noted artists such as Chuck Close, Jasper Johns, Ellsworth Kelly, Roy Lichtenstein and Robert Rauschenberg.

“For the first time, the public will have the rare opportunity to view works commissioned by and donated to FAPE by some of this country’s most iconic artists in a concentrated setting,” said FAPE Chairman Jo Carole Lauder in a press release. “We celebrate these artists’ generosity and the places they hold in the history of American art.”

“Jo Carole Lauder asked me if I wanted to do something and of course I said yes, because it’s a really good thing,” said William Wegman, a FAPE artist known for his books and photos of his pet Weimaraners, the tall and thin gray dogs that were originally bred and used by royalty for hunting. “Also, Jo Carole is a really good supporter of the arts and anything she recommends tends to be worthwhile.”

Mr. Wegman is currently focusing on geometric shapes and sculpture in his photos.

“One of my dogs, Topper, is such a magnificent piece of sculpture and he likes being on top of things,” he explained. “So, I’m accommodating him—I usually do change according to the dogs.”

The first dog he photographed was Man Ray, who became so popular the Village Voice named him “Man of the Year” in 1982. Since then, he’s photographed Fay, her daughter Batty who “was very narcoleptic and could care less,” and an assortment of other Weimaraner personalities.

Batty, he said, “was willing to do anything, but had this sort of whatever attitude, was very comic where Fay was kind of scary and serious.”

“So, when I was casting my first children’s book, Fay became both the Fairy Godmother and the Evil Stepmother and Batty became Cinderella,” he added.

Fay’s firstborn son, Chundo, resembled a prince, but could also be a wolf, as in Mr. Wegman’s well-known 1993 book, “Little Red Riding Hood.”

Chundo, said the artist, was “named after the biggest person I ever met in the south of Chile on a trip I made back in the ’80s.”

After that came Chip, Batty’s son, who was “incredibly handsome and kind of sad looking, so in a lot of my books he became this kind of wistful boyish figure that things happen to.”

Chip’s son Bobbin was “much more scary looking and looked really quite evil, even though he wasn’t. He just had a very severe, humorless face.”

One of Mr. Wegman’s current dogs, Penny, who is featured in the FAPE exhibition, was on the cover of National Geographic. He was asked to create a photo to accompany a February 2012 article on the dog genome.

Penny, who wore dozens of wigs and costumes for the photo shoot, was his best worker, “probably the only dog I never once had to reprimand,” he said.

“She was really remarkable, very still and had this sort of inner quiet to her,” added Mr. Wegman. “Unless there was a thunderstorm and then she disappeared.”

Throughout the exhibition, Guild Hall is hosting panels with the artists, curators and FAPE personnel. Guest Curator Robert Starr, chairman of FAPE’s Professional Fine Arts Committee and dean of the Yale School of Art, is moderating the opening panel on Saturday, June 28, from 3 to 4 p.m.

Panelists include artists Tina Barney, Lynda Benglis, Mr. Close, Joel Shapiro and Carrie Mae Weems. Two additional panels will be held Sunday, July 20, and Sunday, July 27, at 11 a.m.

Lynda Benglis. Untitled (Half Sphere). 2007. Cast bronze. 37.5 x 36 x 17.5 in. Part of the FAPE collection on view at Guild Hall.

Lynda Benglis. Untitled (Half Sphere). 2007. Cast bronze. 37.5 x 36 x 17.5 in. Part of the FAPE collection on view at Guild Hall.

Ms. Benglis first made waves when she burst onto the art scene in the ‘70s. In an ad for Artforum in 1974, she posed naked with a giant fake penis, aiming to mock both artists and feminists who take themselves too seriously, as well as the idea of sexuality. Needless to say, it caused some backlash.

Today, Ms. Benglis splits her time between several art studios from India to New Mexico, working on different projects at each and returning to her home in East Hampton for grounding.

“This is my thinking place and my home,” she said Friday, sitting with her dachshund Pi surrounded by a green jungle of trees on her back deck in the Northwest Woods.

“Their mission,” she said of FAPE, “is to get arts into the public sphere—particularly for peaceful means—to encourage a kind of communication with other countries and embassies and make things more relaxed.”

“We’re a small world now and art is nonviolent, nonpolitical,” she said, adding, “The art’s really about communication and that’s why we have an embassy project, that’s why we have FAPE.”

The opening reception of FAPE’s exhibition is Saturday, June 28, from 4 to 6 p.m. at Guild Hall, located at 158 Main Street in East Hampton. For more information, call (631) 324-0806 or visit guildhall.org.

“Some of the Best Poets on Long Island” at the Wolffer Estate

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Poet Tyler Armstrong. Photo by Michael Heller.

Poet Tyler Armstrong. Photo by Michael Heller.

By Tessa Raebeck

Following the success of his first poetry reading at Wölffer, Tyler Armstrong of East Hampton will be sharing his poetry at the vineyard again Tuesday, June 17.

“I am really pleased to be a major part of the resurgence of poetry as a prominent art form in the area, and I think this reading series can bring a lot to the movement,” Mr. Armstrong said.

Mr. Armstrong’s poetry attracted the attention of Ed Stever, the Poet Laureate of Suffolk County, who has signed on to read his own works at Tuesday’s reading, along with a variety of local readers of all ages. With what Mr. Armstrong calls “some of the best poets on Long Island,” the evening also features the work of Amy Cammel, Tom Olezczsuk, Molly Weiss, Malik Solomon and Emma Macwhinnie.

As part of its Locals Nights every Tuesday, Wölffer offers half-price glasses of wine from 6 to 8 p.m. in the main winery, 3312 Montauk Highway in Sagaponack. Food and half-price wine are available for purchase from 4 to 8 p.m. Entry is $10 per person. For more information, call (631) 537-5106 or visit wolffer.com.

A Tribal War Dancer, a Beekeeper, a Slew of Artists and More at PechaKucha at the Parrish Art Museum

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Michael Halsband's photograph of Andy Warhol & Jean-Michel Basquiat #143 New York City, July 10, 1985. Mr. Halsband is one of 10 presenters from various fields who will present at PechaKucha Night Hamptons at the Parrish Art Museum Friday, June 13. Image courtesy of Michael Halsband.

Michael Halsband’s photograph of Andy Warhol & Jean-Michel Basquiat #143 New York City, July 10, 1985. Mr. Halsband is one of 10 presenters from various fields who will present at PechaKucha Night Hamptons at the Parrish Art Museum Friday, June 13. Image courtesy of Michael Halsband.

By Tessa Raebeck

When Michael Halsband announced, “I’m into photography,” to his parents at age 10, they promised to buy him a camera if he was still into it in a year. A few years later, he had gained admission to the School of Visual Arts in Manhattan, photographed the likes of Andy Warhol, David Byrne and Klaus Nomi (the latter for his senior thesis)—and earned that camera. A year after graduating, he was photographing Keith Richards for the cover of Rolling Stone.

Mr. Halsband will be one of 10 presenters at the eighth edition of PechaKucha Night Hamptons at the Parrish Art Museum this Friday, June 13. The program, now in its third year, introduces the community to some of its most intriguing members through rapid-fire presentations about living creatively on the East End. Each speaker shows 20 slides for 20 seconds, sharing a life of creativity in six minutes and 40 seconds.

Organized at the Parrish by Curator of Special Projects Andrea Grover, who recently won a major award given for innovation, PechaKucha presentations began in Tokyo—PechaKucha means “chit-chat” in Japanese—in 2003 and are now given all over the world in over 700 cities.

Friday’s presenters include May Castleberry, who edits and produces hand-bound books for the Library Council of the Museum of Modern Art; artist Mirella Cheeseman, creator of the food and culture blog Santosha; painter Sabra Moon Elliot; Mr. Halsband; artist and educator John Messinger of East Hampton; Greenport oyster farmer Michael Osinski; Shinnecock Indian Nation member James Keith Phillips, who is a writer, celebrated Eastern war dancer and licensed clinical social worker; mixed-media artist and award-winning photographer Bastienne Schmidt; Ezra Thompson, a featured artist at the 2013 “Artists Choose Artists” exhibition at the Parrish; and beekeeper Mary Woltz, founder and owner of Bees’ Needs.

After his Keith Richards cover shoot, Mr. Halsband was asked by Mick Jagger to join the group as the tour photographer for the Rolling Stones’ 1981-82 “Tattoo You” North American tour. Several years later, he created his most iconic photograph, a portrait of Andy Warhol and Jean-Michel Basquiat wearing boxing gloves. He spent the next decades making album covers, photographing fashion and portraits, and working on international ad campaigns.

As of Monday, Mr. Halsband had not pinned down his strategy in fitting a portfolio onto 20 slides that spans more than three decades and the stories that would naturally come from going on tour with the Rolling Stones, directing a Li’l Bow Wow television commercial or creating a series of pin-up photograph and portraits of strippers and sex industry workers.

Raised in New York City but having grown to love the East End, Mr. Halsband is also a filmmaker and surfer. He founded Surf Movie Night in East Hampton and juries the Atlantic Vibrations film program at the Parrish, which premiered last summer. On Friday, however, he will focus on the hobby he found when he was 10: photography.

“I’ve taken on such a big monster by just even trying to encapsulate my life into six minutes and 40 seconds, so I feel like I would be cheating people if I started showing any film,” he said, adding he would give “background stories of the images and how I came to take them, the adventures I had.”

The portfolios and areas of expertise of the presenters are as varied as the roster itself. Mixed media artist Bastienne Schmidt works with photography, drawing and painting in her Bridgehampton studio.

Ms. Schmidt’s presentation will focus on “the sense of personal space that we create,” she said Monday, adding she will speak of her latest book and accompanying exhibition, “Topography of Quiet,” opening June 28 at Ille Arts in Amagansett.

“I grew up in Greece, Italy, Germany and the United States, so for me it’s always a very important concept to really be in a place and to be inspired by it. And to take something with me from that place, but also to create topology to compare things and structures, because every place is so different,” she said.

The rapid-fire format of the PechaKucha presentations, Ms. Schmidt added, “really makes you revisit how you want to present something, because it’s not necessarily about, ‘Oh, I want to show my 15 most beautiful paintings. It’s more like, you take the audience onto a journey.”

“It’s a great way to introduce somebody from the community, to know what they’re really about and it makes you curious to know more,” she added.

There is much to learn about each of the 10 presenters Friday. Beekeeper Mary Woltz calls “the girls,” her bees, the hardest working members of the food chain.

“Powwow season is in full swing,” tribal dancer James Keith Phillips said in an email Monday. A member of the Shinnecock Indian Nation, which has one of the 10 great powwows held in the United States, according to USA Today, Mr. Phillips is also a writer and social worker.

Artist John Messinger grew up in East Hampton and was the Watermill Center’s 20th annual International Artist in Residence. His recent works include “Facebook Makes Us Lonely” and “Learning to Meditate.”

To answer the first question he ever heard, his father’s panicked, “Is he breathing?” when he was born in a Volvo in Midtown Manhattan traffic, Mr. Messinger went on a trip exploring the country, resulting in “Learning to Meditate.”

“Throughout the course of my trip, I learned, and have been relearning each day since, that meditation, like art, will never provide me with the whole picture,” Mr. Messinger said on his website. “Notions of truth, like our views of self, are too big, too mercurial, too slippery to hold. Instead, our thoughts, like images, must be accepted as fragments, that when considered and held together in light, can sometimes offer us an alternate perspective.”

Perhaps those fragments will be in 20-second intervals Friday.

PechaKucha Night Hamptons, Vol. 8 at the Parrish Art Museum is Friday, June 13, at 6 p.m. For more information, visit parrishart.org or call (631) 283-2118.

For Anti-Poaching Efforts, a Benefit for Elephants and Rhinos in Southampton

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Image by artist Lucy Cookson, courtesy Artists for Elephants.

Image by artist Lucy Cookson, courtesy Artists for Elephants.

By Tessa Raebeck

An art show to benefit the International Anti-Poaching Foundation (IAPF), “Artists for Elephants and Rhinos” opens Saturday, June 14 at the Dora Frost Studio in Southampton.

“Wildlife crime is sweeping the planet,” organizers Dora Frost and Carolyn Chichester wrote in an email. “The illegal trafficking of wildlife is now one of the world’s largest criminal industries, with repeated links to terrorism networks. It is an industry now worth close to $20 billion a year, ranking it fourth behind drugs, weapons, and human trafficking as a global criminal activity.”

Blair Seagram Archival Print 13 inches x 19 inches  "School of Fish, Mangroves, Bonaire" Bonaire, Dutch Islands, 2014

Blair Seagram
Archival Print
13 inches x 19 inches
“School of Fish, Mangroves, Bonaire”
Bonaire, Dutch Islands, 2014

“High Target Species such as elephant and rhino are being hunted to extinction. These animals are the most difficult to protect, as poachers go to the most extreme lengths to kill them. If we can safeguard these animals, then entire ecosystems are protected,” they added.

The International Anti-Poaching Foundation trains, equips, manages and supports anti-poaching rangers to defend these targeted species. Ms. Chichester spent time observing the anti-poaching effort this past winter with IAPF rangers and Founder and CEO Damien Mander in Zimbabwe.

You can watch two 60 Minutes segments on IAPF and Damien Mander here and here.

The participating artists include: Dora Frost, Blair Seagram, Dalton Portella, Kimberly Goff, Judith Witlin, Sander Witlin, Lucy Cookson, Dinah Maxwell Smith, Alice Ryan, Allan Ryan, John Rist and Trevor Boteler.

The benefit is invitation only at the Dora Frost Studio, 15 Windmill Lane in Southampton on Saturday, June 14, from 5 to 8 p.m. The show will run at the gallery through Tuesday, June 17.

Bridgehampton Local Jake Patterson Making a Name for Himself in the Art World—and the Rap World, too

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A still shot of Bridgehampton native and up-and-coming performance artist Yung Jake, from his latest music video, "Look."

A still shot of Bridgehampton native and up-and-coming performance artist Yung Jake, from his latest music video, “Look.”

By Genevieve Kotz

Yung Jake, an up-and-coming artist/rapper from Bridgehampton, having recently had an exhibition of his work at Steve Turner Contemporary in Los Angeles, is quickly gaining recognition for his contributions to both the art and rap music worlds.

Yung Jake, also known as Jake Patterson from Bridgehampton High School’s class of 2008, received his BFA from CalArts in Los Angeles.

At the Steve Turner Gallery, Jake showed “Drawings,” a series of screen installations with a lone computer mouse moving on each screen.

Yung Jake also premiered his iPhone-filmed music video “Look” at the exhibition, which ran until May 31 and was featured in the Huffington Post.

In a similar theme to his visual art, Yung Jake’s music videos are internet-inspired, featuring HTML code, YouTube clips and colorful pixels.

“The young artist speaks and lives in the language of the net, telling stories as complex, multivalent, frivolous and raw as infinite material lurking in your browser,” said the Huffington Post. “Sometimes it feels like Yung Jake wasn’t born on the internet, he is the internet.”

To see more of Yung Jake’s work and videos, visit his website at yungjake.tumblr.com.

Landscape Pleasures Offers an Insider’s Look at Southampton’s Ever-Changing Gardens

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The garden of Margaret and R. Peter Sullivan is one of the homes featured on the Parrish Art Museum's Landscape Pleasures garden tour this Sunday, June 8. Photo by Doug Young.

The garden of Margaret and R. Peter Sullivan is one of the homes featured on the Parrish Art Museum’s Landscape Pleasures garden tour this Sunday, June 8. Photo by Doug Young.

By Tessa Raebeck

Like a piece of artwork or a writer’s manuscript, a garden is never truly finished. As with all art, gardens can always evolve, changing with the seasons and naturally growing out of plans and designs, developing over time in a never-ending evolution.

Gardening is the art of the Earth, providing the willing and creative with another means of finding beauty in the mundane.

“All I know is, I don’t paint with a trowel or garden with a brush,” the late Robert Dash said in a video by P. Allen Smith Classics filmed in 2011, two years before his death, when asked about the connection between gardening and painting.

“They inform one another in ways that are very mysterious. It’s how the trowel is wielded or how the brush is wielded that informs the canvas or the Earth and there are no rules. And the only way you know how to do something in either of those arts is by doing it,” he added.

Mr. Dash, an artist, writer and gardener who died in September at age 82, “believed very much in gardens taking their time and developing over a period of time,” said Jack deLashmet, co-chair of Landscape Pleasures, which will honor Mr. Dash this year.

Hosted by the Parrish Art Museum, Landscape Pleasures includes three lectures by gardening and landscape design experts on Saturday, June 7, followed by a day of tours of some of Southampton’s most historic and remarkable gardens on Sunday, June 8.

The 2-acre Sagaponack garden of Mr. Dash, the Madoo Conservancy, which is open to the public, is included among the private estates on Sunday’s tour.

Established in 1967, the internationally known organic garden is a testament to Mr. Dash’s belief in the ever-evolving landscape. The grounds offer a tour across history, featuring Tudor, High Renaissance, early Greek, English, French and Asian influences.

Mr. Dash’s horticultural wisdom—and his commitment to the garden as a canvas that is ever changing and organic—will be celebrated and expanded on this weekend.

“We’ve always had excellent speakers,” said Mr. deLashmet of the annual garden tours, who believes this year’s Landscape Pleasures is the best yet. “The theme is the never finished garden, that gardens really evolve—and everybody will have a slight take on that,”

On Saturday, southern landscape design architect Paul Faulkner “Chip” Callaway, “an absolutely entertaining speaker,” according to Mr. deLashmet, will present, reflecting on his experience creating nearly 1,000 gardens, concentrating on period restoration work and designing historically relevant gardens.

Following Mr. Callaway, Martin Filler, the architecture critic for The New York Review of Books, and renowned for his more than 1,000 articles, essays and books on modern architecture,  will celebrate the contributions of Rachel “Bunny” Mellon, the Listerine fortune heiress who was a patron of the arts with a dedicated interest in gardening, landscape design and the history of gardens.

A friend and confidante of Jackie Kennedy Onassis, Ms. Mellon redesigned the White House Rose Garden. She died in March at the age of 103.

One of the world’s premiere garden designers, Arne Maynard, is the final speaker Saturday. Known for his large country gardens in Great Britain, the United States and across Europe, Mr. Maynard has the special “ability to identify and draw out the essence of a place, something that gives his gardens a particular quality of harmony,” according to the Parrish website.

Continuing the celebration of the changing nature of gardens, the self-guided tour Sunday features properties with rich histories behind them.

The garden of Perri Peltz and Eric Ruttenberg, an 1892 property originally called “Claverack,” is rarely open to the public.

Although it has evolved, the owners are always mindful of their home’s deep history; the original outhouses, bucolic buildings housing poultry, dairy and the stables, were, in a move that is sadly rare on the East End, married together and allowed to remain.

Designer Tory Burch will open up her home, a 1929 red brick Georgian House and 10-acre garden known as Westerly that is one of Southampton’s grandest estates.

“A great story about both restoring and finding old plants,” according to Mr. deLashmet,  Bernard and Joan Carl, the owners an 8-acre estate called “Little Orchard,” restored original plantings while also bringing in new gardens.

“We did not want to be beholden to the past just for the past’s sake,” Ms. Carl told the Parrish.

The garden of Margaret and R. Peter Sullivan is an American style garden flanked by a new Palladian villa. The landscape offers a modern interpretation on standard ideas of gardening, with fruits and vegetables, an herb garden, and a vase decorated with poetry made by Mr. Dash.

As the late Mr. Dash once said, “Gardening is very much like setting a table—and if you can set a good dinner table, you can be a good gardener.”

A two-day event, Landscape Pleasures begins Saturday, June 7, at 8:30 a.m. at the Parrish Art Museum, 279 Montauk Highway in Water Mill. For a full calendar and more information, call (631) 283-2118 or visit parrishart.org.

Rothko on Stage: ‘Red’ to Open at Guild Hall in East Hampton

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Left: Victor Slezak as Mark Rothko and Christian Scheider as his assistant Ken. Photo by Brian Leaver.

Left: Victor Slezak as Mark Rothko and Christian Scheider as his assistant Ken. Photo by Brian Leaver.

By Tessa Raebeck

The job of the artist assistant is to stretch canvases, mix paint, grab coffee and, in many cases, serve as the sounding board and mellowing counterpart to the boss’ eccentricity.

Such is the case in “Red,” a Tony-Award winning two-man play by John Logan centered on the relationship between the renowned postwar American artist Mark Rothko and his young assistant, Ken. Produced by Guild Hall in association with Ellen J. Myers, the play, which premiered in 2009, will open on the John Drew Theatre stage Wednesday, May 21.

Directed by Sag Harbor’s Stephen Hamilton, noted for his recent shows at the John Drew Theatre including Martin McDonough’s “The Cripple of Inishmann” and Anton Chekhov’s “Uncle Vanda,” “Red” stars Victor Slezak as Rothko and Christian Scheider as Ken.

Victor Slezak as Mark Rothko. Photo by Brian Leaver.

Victor Slezak as Mark Rothko. Photo by Brian Leaver.

“The discussion that takes place between them, the action between them is a debate about commerce and art, about humanity,” Mr. Hamilton said of the main characters. “It’s about art and humanity, it’s about the importance and meaning of art in our life.”

Of Russian Jewish descent, Rothko, unlike many other artists, rose to prominence during his own lifetime and was at the apex of his career during the play’s two-year span, from 1958 to 1959.

At the time his inventive young assistant Ken comes to work with him, Rothko has just received an unheard of public commission for $35,000, the equivalent of about $2 million in today’s market, from the Four Seasons Restaurant to create murals, now known as the Seagram murals. The entire play takes place in the studio at 222 Bowery in New York City where the murals were created.

Although he himself rejected the term, Rothko was classified alongside his contemporaries Willem de Kooning and Jackson Pollock as “one of the most famous abstract expressionists in the New York school,” according to Mr. Hamilton.

Pop artists such as Roy Lichtenstein, Robert Rauschenberg and Jasper Johns were just coming into prominence in the late 1950s, much to the chagrin of Rothko.

“All of these artists are just starting to get recognized and that whole movement—it was a big shift between the expressionists and this time,” said Mr. Hamilton. “And its reaction to that—Mark Rothko is a bigger than life character, whose impressions and whose very deep feeling about the meaning of art in the world comes to stark contrast with what he thinks is the complete sort of obliteration of that psyche.”

“There is no such thing as good painting about nothing,” Rothko once said.

Pop artists were critiquing the art world of Rothko, essentially making fun of its gravity.

“It’s on the theme of seriousness,” said Mr. Scheider, a Sagaponack native and a young up-and-coming actor who plays the role of Ken. “Seriousness in art, seriousness in what you say, seriousness in what you live. Meaning Rothko was very much somebody who felt himself to be an outsider in American culture for a long time—until, of course, he became sort of a pillar of that culture, but that happened later—and so, throughout his whole life he dealt with this—I’m not going to say insecurity, because in fact he had a lot of security in himself—but a doubt as to whether there were people that could look at his paintings. He didn’t know if people were going to be moved by them.”

“So, much of what Ken does in the play is through the course of it, he sort of proves it possible that one can develop an appreciation for an abstract painting as a lay person,” he added. “So in a way he’s kind of a foil, but Ken in his own way is an artist.”

Although Ken is a painter, he’s not making art when he works with Rothko. He’s supporting the artist by grabbing food and cigarettes and doing the busy work. Throughout the play, he complements Rothko’s long-winded monologues with one-word, monosyllabic answers.

“What do you see?” Rothko will often ask.

“Red,” replies Ken.

Rothko will rage, stomping around the room, slinging packets of paint at his assistant, who will, in turn, pick up the packets, toss the artist a cigarette and clean up after his rage.

“Rothko’s right at the height of his powers right now, 1958-59, there’s nobody painting like him. He has achieved his mature style that you recognize from Rothko and yet he knows that that energy, that life force—right around the corner is the diminution of that force. He’s not in the greatest health and he knows that he’s right at the apex of his career, there’s nowhere else to go,” said Mr. Hamilton.

The youthful energy of Ken collides with the threat of dead-end maturity felt by Rothko, setting off their conflict in moments of both humorous dialogue and pure tension.

“One of the central questions in the play is, ‘What do you see?” Mr. Scheider said. “Which, of course, is whatever you see, I mean there’s no right answer… but for Rothko, he was trying to make people weep, which is hard to do with blocks of color, but somehow he managed.”

Mr. Scheider said the mentorship, intentional or not, of Rothko on Ken correlates to his own experience working with Mr. Slezak, a veteran actor who has been performing regularly on stage, films and television for 40 years.

“He’s a seasoned actor and is bringing a kind of gravitas to this role that is really impressive and inspiring because he’s the kind of actor who can live a character,” said Mr. Hamilton, adding, “He can really bring this character to life and same with Christian [Scheider], they’re both doing a fantastic job.”

“For me, as a young actor working with a much more experienced actor, there’s a lot of overlap between the rehearsal process and the play, it’s actually very useful,” said Mr. Scheider. “As a young person, [I am] honored to be given this responsibility.”

“Ken, over the course of the play, becomes a better artist by having just been with him.” Mr. Scheider said. “They have very different intentions in their work and yet Rothko instilled in him a kind of fearlessness…to take himself seriously.”

In Rothko’s words: “Art to me is an anecdote of the spirit, and the only means of making concrete the purpose of its varied quickness and stillness.”

“Red” runs from Wednesdays through Sundays from May 21, through June 8 at 8 p.m. at Guild Hall, 158 Main Street in East Hampton. Tickets are $35 for general admission, $33 for members and $10 for students. For more information or to purchase tickets, call 324-4050 or visit guildhall.org.