Tag Archive | "art"

Mermaids Discovered in Montauk

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Montauk bartender, Sag Harbor Gym trainer and women's roller derby star Samantha Duane, as photographed by photographer and Montauk local James Katsipis for his "Mermaids of Montauk" series.

Montauk bartender, Sag Harbor Gym trainer and women’s roller derby star Samantha Duane, as photographed by photographer and Montauk local James Katsipis for his “Mermaids of Montauk” series.

By Gianna Volpe

Before in-water surf photographer James Katsipis had even arrived at the Montauk Beach house for last Friday’s opening of “Mermaids of Montauk,” one of the show’s 18 photographs had already been sold.

“Mermaids” is the babely black-and-white portrait series already barreling through East End’s social media waves this summer, even though its photographer—lifetime local Mr. Katsipis of Montauk—hasn’t yet finished shooting it.

“I made a Facebook artist page, an Instagram and a Twitter and as soon as I put up, ‘For booking and info, please contact montaukmermaids@gmail.com,’ my phone would not stop buzzing,” said Mr. Katsipis. “I can’t even go through all the messages because it would take too long, it’s crazy… Everywhere I go people are telling me they love the series. In fact, after Mike Williams—a huge fashion photographer—saw it, he personally called me and put it on his site, Imagista, so now you can go there to check out the updated ‘Mermaids’ works.”

The shots are dramatic – many a model immersed in murky waters—but that’s exactly how Mr. Katsipis likes it.

“These aren’t the Tahitian blue underwater shots you see of girls swimming,” he said. “This is real deal Montauk—cold, dark and moody.”

And though these gorgeous “Mermaids”—most of whom are nude or near so—may be splayed across Montauk’s rocks or appear at rest as they look coyly into the camera, they are by no means beach bunnies.

Mr. Katsipis, 31, said the series is an homage to the surfers he grew up surfing alongside, so when it comes to his subjects, these are generally women who know how to lean in.

“Growing up in Montauk all the guys would surf, but the girls were out there, too,” he said. “They were right there with us when the waves got big—taking off charging, getting their ass handed to them and going back for more. They’re not sitting on the beach going, ‘Oh my God the waves are too big.’ They’re watermen just like us—true mermaids—like Ariel Engstrom. She’s gorgeous and she surfs pipeline in Hawaii…. A lot of these girls are great swimmers, so it is really easy to shoot with them.”

Mr. Katsipis said he’s been shooting “Mermaids” nearly every afternoon this summer after his neighbor, hair and make-up artist Chris McCracken of Montauk’s C.M. Hair Studio, works his water-proofed magic on the models.

“We do the dry stuff first so their hair doesn’t get messed up, and then toward the end we’ll put them in some really sexy outfits that’s really just sheer cloth and we’ll get them wet so it’s pretty much see-through,” said Mr. Katsipis. “I like to make sure the girls are comfortable…. I’ll be talking to them because I want to know about my subject and I’m always asking them questions to get their mind off of the camera. Some girls are a little apprehensive at first, but once we start swimming, everyone loosens up.”

He said the awkward nature of aqueous photography makes breaking the ice all the easier.

“We’ll make a joke of it because water is going up our noses,” he said. “It’s not as glamorous as the photos might make it look sometimes. You can ask the girls—it is a lot of work and the water is unseasonably cold, so some of the girls are shivering, blue—you know—hypothermic… We had to start bringing robes to the shoot so we could get them in the robes, stick them in the car with the heat on and start again after they warm up.”

You can check out the series by searching @montaukmermaids on Twitter, or by searching “Mermaids of Montauk” on Facebook or Instagram.

More photos from “Mermaids of Montauk” by James Katsipis:

"Mermaids of Montauk" series by James Katsipis.

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Amanda Beckwith of East Hampton, as photographed for the "Mermaids of Montauk" series by James Katsipis.

Amanda Beckwith of East Hampton, as photographed for the “Mermaids of Montauk” series by James Katsipis.

Drone Spotted Flying Over Sag Harbor

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An aerial view of Sag Harbor taken by Pierson Middle/High School students with the school's new drone, donated by the Reutershan Educational Trust. Photo courtesy Peter Solow.

An aerial view of Sag Harbor taken by Pierson Middle/High School students with the school’s new drone, donated by the Reutershan Educational Trust. Courtesy Peter Solow.

By Tessa Raebeck 

At the signal from Theo Gray, Isabella di Russa sprinted down Pierson Hill, a streak of pink and red as a long Chinese dragon kite trailed behind her. Darting among a triangle of bright beach umbrellas held by classmates at the bottom of the hill, she weaved the dragon between them.

From Theo’s view at the top of the hill, the colorful umbrella tops were hardly visible, but he had a better vantage point. A drone, hardly noticeable except for the humming of its engine, whirred above Isabella’s head, capturing the scene below.

A small, remote-controlled aircraft with a camera attached to its base, the drone is the latest instrument of Sag Harbor’s student artists. Donated by the Reutershan Educational Trust, a privately funded art program created by Sag Harbor resident and architect Hobart “Hobie” Betts, the drone is being piloted in a weeklong workshop at Pierson High School.

On Wednesday, August 6, five students, Theo, Isabella, Danielle Schoenfeld, Joy Tagliasachhi and Zoe Vatash, two visiting artists, Francine Fleischer and Scott Sandell, both from Sag Harbor, and art teacher Peter Solow experimented with their new tool.

Mr. Sandell manned a remote control that operated the white drone, an alien-like aircraft with four propellers that move simultaneously in different directions. To capture photos and videos, students took turns controlling an iPhone connected simply by Wifi to the drone’s camera.

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Sag Harbor students took photos with their new drone on Pierson Hill on Wednesday, August 6. Photo by Theo Gray.

Unmanned aerial vehicles, commonly known as drones, were until recently used primarily for military operations and by the occasional pioneering photographer. The technology has advanced rapidly in recent years, with the once pricey gadgets (some of which still cost as much as $30,000) now available from vendors like Amazon for less than $75.

As with most new technology, drones are proliferating too fast for laws and regulations to keep up. On Sunday, August 3, Senator Charles Schumer urged the Federal Aviation Association and the U.S. Commerce Department to regulate the use of drones for both commercial and hobby purposes. New York City, the senator said, is the “Wild West for drones,” with multiple instances of the devices crashing into trees, apartment terraces and hovering outside windows reported this summer.

But on Pierson Hill Wednesday, the need was not for regulations nor drone policy, but for a way to master the new technology while also figuring out how to create art that is unique, inspiring and innovative, despite the gadgets’ soaring popularity.

“When people initially started to use computers to make artwork, they didn’t know what to do and everything they did was bad,” said Mr. Sandell, an artist and printmaker, who, like Ms. Fleischer, has worked with Sag Harbor students for years doing site-specific artwork and photography projects through the Reutershan Trust. “But now, people have learned how to use it and control it and software has caught up to the ideas and so, now you can create beautiful things with your computer.”

“So,” he added, “this is just another tool and that’s what’s really important here—taking that experience and putting it into your school of thought, your sensibilities, in terms of what’s possible.”

Pierson's new drone hovers over student Zoe Vatash on Wednesday, August 6. Courtesy Peter Solow.

Pierson’s new drone hovers over student Zoe Vatash on Wednesday, August 6. Courtesy Peter Solow.

“There’s a wow factor to the technology,” added Mr. Solow. “And this is the essential question that we’ve challenged the kids with and the thing that’s really tough—how do you take this technology and make art?”

Now that most people have cell phones with strong camera capabilities, everyone is constantly taking snapshots, Mr. Solow said, “so what’s the difference between a really great photograph and a snapshot? Everybody is going to have drones, what is the difference between what everybody will do with a drone and having some sort of artistic merit to what we’re doing?”

With just three days of drone experimentation under their belt, on Wednesday, the students appeared to have risen to the challenge. They had dozens of photographs and videos, including aerial shots of Sag Harbor Village with the harbor and North Haven in the distance, videos looking down on Zoe doing cartwheels and Isabella dribbling a soccer ball, and even a video of the drone crashing into a tree.

The drone, Theo said, allows the young artists to “do things that we really can’t do with a normal camera, with angles and views…it’s interesting just to see what we can do with photography.”

In one video, Zoe worked the camera while Danielle, Isabella, Joy and Theo rolled down the hill.

In a “self-portrait,” as Mr. Solow called it, the drone captured its own shadow reflected on the hill, a slightly eerie shot for anyone familiar with movies featuring rebellious robots.

“It’s awesome,” said Ms. Fleischer, a portrait, landscape and fine art photographer, “because you can use the ground as your canvas. So, with that in mind, it just gives you another perspective.”

A video taken in the Pierson gymnasium looks directly down onto the lines of the basketball court, with Mr. Solow and the students standing around a circle juggling and passing a soccer ball. As the drone hovers, figures move in and out of the shot. As Theo does a header, the ball comes dangerously close to the camera.

Pierson student Theo Gray and visiting artist Scott Sandell have a flight consultation on Wednesday, August 6. Photo by Peter Solow.

Pierson student Theo Gray and visiting artist Scott Sandell have a flight consultation on Wednesday, August 6. Photo by Peter Solow.

Filming indoors poses an additional challenge, as “the drone is so powerful that the propellers create a great deal of turbulence,” said Mr. Sandell. “When you’re inside, the turbulence bounces off the walls and comes back at the drone so you create a wind shear.”

When inside, the drone can be knocked around by the reflection of its own turbulence and harder to control. Outside, a gust of wind or an ill-advised bird could send it whirring away.

Despite the turbulence, the camera is generally still and focused, which is a good thing, as the students’ ideas of how to push the boundaries—and thus create innovative art—keep coming.

While brainstorming for new means of experimentation with the drone, Zoe asked, “Could we fill water balloons with paint and drop them from it?” No one denied the request.

 

More photos taken with Sag Harbor’s new drone:

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The Lure is the Thing

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Lures will be on display at the Sag Harbor Whaling Museum in "The Lure of Striped Bass," opening Friday, August 8.

Lures will be on display at the Sag Harbor Whaling Museum in “The Lure of Striped Bass,” opening Friday, August 8.

By Stephen J. Kotz

To the casual observer, the scene at Montauk Point during the fall striped bass run is chaotic. Fishermen, standing shoulder to shoulder, cast all manner of fishlike devices into the surf, hoping to entice a trophy bass to clamp down on the one at the end of their line.

But if one takes a closer look into the tackle bag of a seasoned angler, one will soon learn there are lures made of metal, lures made of wood, and lures made of plastic, all coming in an array of colors. Some drop to the bottom, some dive and dart, and some float on the surface. Their designs have evolved over decades, and all serve a purpose in different fishing conditions that can change on a dime.

“The Lure of the Striped Bass,” a new exhibit opening this week at the Sag Harbor Whaling Museum, will celebrate the history of the innovative lure designs that have played a key role in making surfcasting the sport it is today and helped give rise to the East End as a fisherman’s paradise.

Besides literally hundreds of vintage lures, many from the collection of one of the show’s curators, Stephen Lobosco, the show will feature other fishing equipment, magazines, books, carvings and artwork related to the topic.

“I’ve been collecting fishing lures since I was about 15 years old,” said Mr. Lobosco this week. “My uncle, Frank Pintauro, was the leading authority on the subject.” Mr. Pintauro, in turn, had been initiated into the art of collecting by none other than the painter Cappy Amundsen, who, Mr. Lobosco said, traded lures from his own collection for fish.

Mr. Lobosco was hooked, pardon the pun, when his uncle gave him a pair of lures autographed by Stan Gibbs, an early designer. It would be like giving a young Yankees fan a ball signed by Mickey Mantle.

“My friends don’t know what’s wrong with me,” said Mr. Lobosco of the collecting bug that has become his obsession. Mr. Lobosco is also an avid fisherman, a hobby his co-curator, Richard Doctorow, the museum’s collections manager, doesn’t share.

“I don’t know this world,” Mr. Doctorow said. “But once you begin to look at these objects they really are beautiful, miniature works of art., so this is not a show about fishing lures per se, but about these objects as art.”

Surfcasting for striped bass has been popular since the late 1880s, but early anglers were limited in their choice of lures to heavy, metal ones with bucktails that were called “tin squids.” They worked fine when the bass were feeding on the bottom, but when the bass worked the surface, they were useless.

In 1944, at the Cape Code Canal, Bob Pond saw a fellow fisherman catching fish left and right while using a floating lure he did not recognize. The next day, Mr. Pond found one of the stranger’s lures. He tied it on his line, caught 14 fish in a row with it, and knew he was on to something.

“He found this exact lure floating in the Cape Cod Canal,” said Mr. Lobosco, displaying one of the prizes of his collection. The lure was a Creek Chubb Pike, used for catching freshwater game fish.

Mr. Pond set about duplicating the lure—Forget about it, collectors, Mr. Lobosco owns that one too. At first, he made lures for family and friends, but soon enough he was convinced to sell them, so he loaded up his truck and made the rounds to various fishing destinations up and down the Atlantic Seaboard, demonstrating his lures’ prowess and selling them to fishermen looking for an edge. He named his company Atom Lures after the atom bomb that had put an end to World War II. The company’s Striper Swiper is still in wide use today.

Returning veterans, who could not find work, helped revolutionize the industry even more, with many taking the designs they made for their own personal use and putting them on the market. Over the period of about seven years, Mr. Lobosco said, a design revolution had taken place that would change the world of fishing.

Among the other lures from his own collection, Mr. Lobosco will display a darter, circa 1949, that was made by his hero, Stan Gibbs. It is one of about five remaining in the world and was made “specifically for Montauk to handle the pounding rips,” he said.

He will also display models from the Snook Bait Company, a short-lived company based in the Bowery in New York City that gave wise guy names to lures like the Big Weasel, the Big Snook, and the Surf King. “For the collecting world, these are the Cadillac of lures,” said Mr. Lobosco.

Other lures made by Charlie Russo, whose work was “very ornate, the paint schemes at their best,” to Donny Musso, who invented the Super Strike in his Babylon shop in the mid 1960s, will be included in the show.

The show will include information on fish preservation efforts, and other, related gear as well as illustrations by Lynn Bogue Hunt, Harry Discole, and Goadby Lawrence, carvings by Aage Bjerring, and paintings by the artists Paton Miller, Barbara Thomas, Anna Demauro, Nathan Joseph and David Pintauro.

“What makes this special is Stephen’s connection to the fishing community,” said Mr. Doctorow. “Once we put out the word, all these offers of help came in.”

An opening reception for “The Lure of Striped Bass” will take place at the Sag Harbor Whaling Museum from 6 to 8 p.m. on Friday, August 8. The exhibit will be on display until August 25. The museum will be open from 10 a.m. to 5 p.m. Monday through Saturday and from 1 to 5 p.m. on Sundays. Call 631-725-0770 for more information.

The Neo-Political Cowgirls Present “VOYEUR” at Parsons Blacksmith Shop in Springs

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The sneak peak of "VOYEUR" at Guild Hall in March. Photo by Tom Kochie.

The sneak peak of “VOYEUR” at Guild Hall in March. Photo by Tom Kochie.

By Tessa Raebeck

While many 8-year-old girls spend their evenings playing with toys or watching TV, Kate Mueth preferred to wander her neighborhood in northern Illinois and peer into her neighbors’ windows.

She was not looking to see anything depraved or risqué, she was merely people watching, observing a mother helping her son with homework or a family enjoying a meal at the dinner table.

“I loved watching people wash dishes or read a book, the most seemingly mundane things,” Ms. Mueth said on Tuesday, July 22. “I was trying to make sense of my world, I was trying to make sense of my home life, how people behave…am I behaving properly? Am I normal? Am I whacked out? … and I think some people would think I am sort of whacked out, but that’s why I make art.”

Ms. Mueth, founder and director of the East Hampton-based theatre troupe The Neo-Political Cowgirls, has transferred this childhood fascination into the company’s latest production, “VOYEUR,” which opens, Thursday, July 31, at the Parsons Blacksmith Shop in Springs.

Written and directed by Ms. Mueth, “VOYEUR” is a personal reflection on time, friendship and the transient notion of normalcy.

Photo by Tom Kochie.

Photo by Tom Kochie.

Ms. Mueth believes the reason many artists, such as herself, are continually driven to create something new is because they are trying to “figure it all out.”

“It’s a very, very personal piece, surprisingly,” the director said, adding she didn’t expect it to turn out so. “I think probably, ultimately, every artist creates something very personal without even necessarily knowing it.”

In “VOYEUR,” a young girl guides the audience in small groups around the blacksmith shop’s exterior. Through a series of short vignettes, they peer from outside through the shop’s windows, watching the story of the life of another girl, the guide’s best childhood friend, unfold.

A “theater art installation,” as Ms. Mueth calls it, “VOYEUR” lasts about 20 minutes per group and explores what theater can entail.

While the actor on the exterior remains a young girl, the girl on the inside progresses through her life, growing from a child to a teenager and eventually an adult, mother and elderly woman.

“It’s essentially about two little girls who are in love as friends are in love, as little girls can be in love. It’s not a sexual thing; it’s a total friendship, sensual thing,” Ms. Mueth said. “And one of them goes away and it could be that she goes away psychologically, she goes away emotionally or literally physically moves away.”

Ms. Mueth, careful to leave the piece open to personal interpretation, said from her perspective, the little girl on the outside still yearns for the friendship she shared with the one within. While the girl inside seems to move on, however, “her life is ultimately not fully realized in terms of joy, in terms of fulfillment.”

“It’s very nostalgic for me,” the director added, “from a friendship I had growing up at a very young age, from birth, into a friendship that was really intense, really beautiful, really connected. And it broke. And it broke through betrayal and it broke through misunderstanding and it broke right around sixth grade, which is a very tricky time anyways.”

The abandonment felt by that loss of her first friendship compelled Ms. Mueth to examine time and the effects when a love that comes from such an innocent yet intense beginning is broken.

Her theater work, she said, is “always an examination of life, of emotions, of happenings, of humanity. And how we deal with it, how it feels to be human, how it feels to survive certain things in our lives.”

Ms. Mueth relates to both the young girls, the one who moves on within the blacksmith shop and the one watching from without.

“I think that’s kind of what childhood friendship is,” she said. “When you’re in one of these closely bonded friendships, where you begin and where your friend ends is kind of impossible to see.”

For girls, Ms. Mueth said, a best friend, “that person that you can be with 12 hours and still want to spend more time with,” is practice for our relationships later in life, for lovers and marriage, “of how we relate and how we love and what we get from each other in terms of nurturing.”

“VOYEUR” examines the passage of time and the impact of growing up—and often apart—on that most intimate relationship with your first best friend, “somebody who you feel that bond with and you can just go and play and be in this imagination land; you literally are creating your world together. And that’s your world—you can’t do that with just anybody.”

“VOYEUR” is July 31, August 1, 2, 7, 8, 9, at 7 p.m. until 8:20 p.m. at the Parsons Blacksmith Shop at Springs Fireplace Road and Parson Place in Springs, East Hampton.  Tickets are $15 and can be ordered ahead of time at brownpapertickets.com/event/756705.

East End Weekend: Highlights of What to Do July 25 to 27

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The Montauk Project, Chris Wood, Mark Schiavoni, Jasper Conroy and Jack Marshall, performs at Swallow East in Montauk on Friday, February 28. Photo by Ian Cooke.

The Montauk Project, Chris Wood, Mark Schiavoni, Jasper Conroy and Jack Marshall, performs at Swallow East in Montauk on Friday, February 28. Photo by Ian Cooke.

By Tessa Raebeck

From fast-growing local bands to slow food snail suppers, there’s plenty to do on the East End this weekend. Here are some highlights:

The Montauk Project is playing at Swallow East in the band’s hometown of Montauk Saturday, July 26 at 8 p.m. The local beach grunge rockers, who were born and bred on the island and are steadily gaining more recognition by music critics and enthusiasts alike, released their first full-length album, “Belly of the Beast,” in March. The band, which consists of East Hampton’s Chris Wood and Jack Marshall, Sag Harbor’s Mark Schiavoni and Jasper Conroy of Montauk, will be joined by hip hop/rock hybrid PUSHMETHOD, who were voted the best New York City hip hop group of 2013 by The Deli magazine.

Eastern Surf Magazine said of the East End group, “The Montauk Project is far tighter than every other surf-inspired East Coast rock band to come before it.” Swallow East is located at 474 West Lake Drive in Montauk. For more information, call (631) 668-8344.

 

Also on Saturday, People Say NY presents an open mic and art show at the Hayground School in Bridgehampton, starting at 8 p.m. In addition to featured grunge pop artist Adam Baranello and featured performer Danny Matos, who specializes in spoken word and hip hop, performers of all ages are encouraged to participate.

According to its mission statement, People Say NY “brings art back to the fundamentals, so we can remind ourselves why artists and art lovers alike do what we do.”

The night of music, comedy and poetry has a sign-up and $10 cover and is at the Hayground School, located at 151 Mitchell Lane in Bridgehampton. For more information, visit peoplesayny.com or check out @PeopleSayNY on Twitter and Facebook.

 

In celebration of the release of the “Delicious Nutritious FoodBook” by the Edible School Garden Group of the East End, Slow Food East End hosts a Snail Supper at the home of Judiann Carmack-Fayyaz, located at 39 Peconic Hills Drive in Southampton. The supper will be held Friday, July 25, at 6 p.m.

Guests are asked to bring a potluck dish to share that serves six to eight people and aligns with the slow food mission, as well as local beverages. Capacity is limited to 50 and tickets are $20 for Slow Food East End members and $25 for non-members. The price includes a copy of the new cookbook. Proceeds from the evening will be shared between Slow Food East End and Edible School Gardens, Ltd. Click here to RSVP.

 

Some one hundred historians will converge upon Sag Harbor to enjoy the Eastville Community Historical Society’s luncheon and walking tour of Eastville and Sag Harbor.

The day-long event starts at 8:30 a.m. with a welcome at the Old Whalers Church, located at 44 Union Street in Sag Harbor, followed by a walking tour at 9:30 a.m. to the Sag Harbor Whaling and Historical Museum, the Sag Harbor Custom House and the Sag Harbor Historical Society, which is located at Nancy Wiley’s home. A shuttle bus is available for those needing assistance.

From 11:15 a.m. to noon, guests will visit the Eastville Community Historical Society Complex to see the quilt exhibit “Warmth” at the St. David AME Zion Church and Cemetery. A luncheon catered by Page follows from 12:30 to 2:30 p.m. at the Old Whalers Church in Sag Harbor.

 

The Hilton Brothers, "Andy Dandy 5," 2007, 36 x 48 inches, pigment print. Image courtesy Peter Marcelle Project.

The Hilton Brothers, “Andy Dandy 5,” 2007, 36 x 48 inches, pigment print. Image courtesy Peter Marcelle Project.

The Peter Marcelle Project in Southampton will exhibit the Hilton Brothers, an artistic identity that emerged from a series of collaborations by artists Christopher Makos and Paul Solberg, from July 26 to August 5.

Their latest collaboration, “Andy Dandy,” is a portfolio of 20 digital pigment prints. The diptychs combine Mr. Makos’ “Altered Image” portraits of Andy Warhol with images of flowers from Mr. Solberg’s “Bloom” series.

“Andy wasn’t the kind of dandy to wear a flower in his lapel, but as ‘Andy Dandy’ demonstrates, sometimes by just altering the image of one’s work or oneself, a new beauty blooms,” the gallery said in a press release.

The gallery is open Friday through Sunday from 11 a.m. to 4 p.m. or by appointment.

East End Weekend: What to Do July 11 – 13

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Malin Abrahamsson, "Winter Lot," mixed media on canvas. Image courtesy Sara Nightingale Gallery.

Malin Abrahamsson, “Winter Lot,” mixed media on canvas. Image courtesy Sara Nightingale Gallery.

By Tessa Raebeck

From shark hunting to art grazing, a carefully-curated selection of top picks to do on the East End this weekend:

Art Market Hamptons brings booths from selected modern and contemporary galleries to Bridgehampton, returning for its fourth season from Friday, July 10 through Sunday, July 13.

Scott Bluedorn of Neoteric Fine Art.

Scott Bluedorn of Neoteric Fine Art.

With 40 participating galleries, Art Market is more exclusive than other art fairs. Local galleries like Neoteric Fine Art, Sara Nightingale Gallery and Grenning Gallery will feature their artists in booths.

The fair is open from 11 a.m. to 7 p.m. Friday, July 11, and Saturday, July 12, and from 12 to 6 p.m. Sunday, July 13, at the Bridgehampton Historical Society, located at 2368 Montauk Highway in Bridgehampton.

 

The Silas Marder Gallery in Bridgehampton shows East Hampton artist Richmond Burton in an exhibition running July 12 through August 11.

“Known for his dazzling kaleidoscopic abstractions, Richmond Burton melds geometry and naturalism to usher the pictorial language of his predecessors into a contemporary context,” the gallery said in a press release. “With swift, vibrantly hued marks, Burton creates densely gridded compositions that morph into expansive waves of pattern, their overlapping rhythms at once steady and unstable.”

The exhibition will feature Mr. Burton’s last large-scale paintings created in his East Hampton studio, as well as his more recent works. An opening reception is Saturday, July 12, from 5 to 8 p.m. at the Silas Marder Gallery, located at 120 Snake Hollow Road in Bridgehampton.

 

The Shark’s Eye All-Release Tournament & Festival returns to Montauk Friday, July 11 through Sunday, July 13.

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A little girl watches a shark being tagged at the Shark’s Eye Festival and Tournament in 2012. Photo by Tessa Raebeck.

The weekend-long event is “Montauk’s only satellite tag, catch-and-release, high stakes, big game sport fishing competition combined with cutting-edge science, conservation and informative entertainment focused on saving sharks,” according to a press release.

The tournament, held in the Montauk Marine Basin, offers prize money of $10,000. In 2013, participating teams tagged and released 64 sharks, including 33 mako and 31 blue sharks. Four sharks were tagged with satellite tracking devices.

Although it may sound scary, the event offers fun for the whole family, as kids can see sharks up-close-and-personal and learn about conservation and marine wildlife. The festival is free to the public on Saturday, July 12, from 3 to 7 p.m. and on Sunday, July 13, from 2 to 6 p.m. A dock part Saturday night runs until 10 p.m.

The tournament and festival are supported by marine artist and conservationist Guy Harvey of the Guy Harvey Ocean Foundation.

“There is no other fishing tournament like Shark’s Eye,” Mr. Harvey said in the press release. “This tournament combines the thrill of shark fishing, practical conservation measures, and meaningful fisheries research and community involvement into a single event. It is truly the future of shark fishing tournaments.

The Montauk Marine Basin is located at 426 West Lake Drive in Montauk. For more information, call (631) 668-5900.

 

In its annual Sag Harbor house tour, the John Jermain Memorial Library presents five homes–one in North Haven and four in Sag Harbor Village–to the public. The houses were specially picked for their unique and personalized interior decorating and for the feeling of “home” each conveyed. For more information on the house tour: read the Express’ full article here.

East End Weekend: Highlights of July Fourth Weekend

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Casey Evans in a San Lorenzo bikini.

Casey Evans in a San Lorenzo bikini on the beach in East Hampton.

By Tessa Raebeck

Norma Jean Pilates and San Lorenzo Bikinis are hosting a party in Sag Harbor tonight, Thursday, July 3, from 6 to 8 p.m. The event is celebrating the East Coast launch of San Lorenzo Bikinis. Guests can shop for bikinis, enjoy “bikini-friendly bites” and enter contests for “amazing” giveaways from local businesses like Happy Bowls, Flying Point and Wampum. Norma Jean Pilates is located at 52 Main Street in Sag Harbor.

To RSVP to the private party, email Abigail Gawronski at argawronski@gmail.com.

 

Mark Borghi Fine Art in Bridgehampton will showcase Bob Dylan’s work July 4 to July 18. “The Drawn Blank Series” showcases the musician’s colorful paintings and will be celebrated with an opening reception Thursday, July 3, from 6 to 9 p.m. at Mark Borghi Fine Art, 2426 Main Street in Bridgehampton. For more information or to RSVP, call (631) 537-7245 or visit borghi.org.

 

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“Art on the Edge” opens at Vered Contemporary in East Hampton SaturdayJuly 5, with an opening reception from 9 to 11 p.m. The expanded exhibition, an annual survey of the contemporary art of new and provocative painters, sculptors and photographers, will be on view July 5 to August 4. Nineteen modern artists will be featured.

The gallery is located at 68 Park Place in East Hampton.For more information, call (631) 324-3303 or visit veredcontemporary.com.

 

“Positivilly Marvillainous” opens at the Eric Firestone Gallery with an opening reception Saturday, July 5, from 6 to 9 p.m.

“Expanding on tradition doesn’t necessarily demand the push towards perfection or a high polish,” the gallery said in a press release. “Rather, it can entail building on established conventions in a particular artist’s unique voice. Today, contemporary artists, knowingly or unknowingly, reference George Herriman’s historically overlooked, unpretentious and universally accessible fantasy, Krazy Kat, a comic strip that ran in American newspapers from 1913 until 1944. The artists in Positivilly Marvillainous embrace tensions, arising from Herriman’s formal qualities in character portrayal, including those between line and shade, humor and drama, human and animal, collage and décollage, marvelous and villainous.”

The Eric Firestone Gallery is located at 4 Newtown Lane in East Hampton. For more information, call (631) 604-2386 or visit ericfirestonegallery.com.

In Paying Tribute to the Masters, Joël Moens de Hase Pushes the Boundary Between Art and Pornography

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A tribute by JoThe Girl with the Pearl Earring  was created in 1665 by Johannes Vermeer (1632-1675) This is a 21st century tribute to the masterpiece."The Girl with the Pearl Earring  was created in 1665 by Johannes Vermeer (1632-1675) This is a 21st century tribute to the masterpiece.

A tribute by Joël Moens de Hase to “Girl with a Pearl Earring,” created in 1665 by Johannes Vermeer. Image courtesy Monika Olko Gallery.

By Tessa Raebeck

Joël Moens de Hase has collected over 75,000 images of the lower half of women’s bodies, but his wife doesn’t seem to mind.

Mr. Moens de Hase, whose work will be on view at the Monika Olko Gallery in Sag Harbor from Friday, July 4, through August 1, collects the images online and then fashions them into mosaics, creating portraits and larger images of the lower half of women’s bodies, as well as reinventing masterpieces like “The Kiss” by Gustav Klimt and Johannes Vermeer’s “Girl with a Pearl Earring.”

After starting out as a painter, the Belgian artist began using computers in 2011.

“I think it’s the media of the future,” Mr. Moens de Hase said in a phone interview this week. “I switched my canvas for my computer and I switched the pencil for the mouse.”

Each digital print is comprised of some 7,000 vignettes taken from the internet. They are shrunken down in size and arranged into digital mosaics, which are then colored to replicate the classic pieces. From afar, “Girl with a Pearl Earring” looks like the 1665 original, but upon closer investigation, it is construed of thousands of bikini bottoms—a likely shock to the average art historian.

Initially focused on small bikinis that then give way to large bikinis, Mr. Moens de Hase has expanded his collection to include digital print replications of Japanese-style paintings of geishas, portraits of Marilyn Monroe and reinterpretations of the work of masters including Leonardo da Vinci and Edvard Munch.

Joel Moens de Hase, Portrait of Marilyn, 2014, 39.5 x 39.5, Archival Digital.

Joël Moens de Hase, Portrait of Marilyn, 2014, 39.5 x 39.5, Archival Digital.

“It is a tribute to old masters, but it’s also contemporary, so it has a little bit of duality in it,” said the artist.

Mr. Moens de Hase’s work is, perhaps obviously, intended to be controversial. The thousands of bikini images that make up “Adoration Bleu” expand outward to depict a nun gazing toward the sky. Another shows the eyes of a woman wearing a hijab.

“The devil is absolutely in the details,” said Wafa Faith Hallam, an author and the art curator and gallery manager at the Monika Olko Gallery.

Ms. Faith Hallam said she was taken aback at first by her attraction to the pieces. As a feminist, she questioned her enjoyment of art that seemingly objectifies women.

But art, she said, is “all about how it makes you feel.” After a year of showcasing Mr. Moens de Hase’s work, she said nine of 10 clients who purchase the images are women.

“Women have had an amazingly positive response to these pictures—they love them. They’re beautifully done, they’re not offensive and they are…some of them are even a little risqué,” she said.

“But they’re a good conversation piece, they’re not in your face and they’re pleasing,” she added. “So they don’t become as, maybe, threatening to women as pornography would.”

Men, she said, are understandably hesitant to bring a mosaic of women’s lower halves home to their wives. Their wives, on the other hand, say, “Oh, I see this in my game room, I see this in my bedroom, this could go up in our powder room…it’s no issue,” according to Ms. Faith Hallam.

Mr. Moens de Hase, who Ms. Faith Hallam said, is “not at all the kind of person you would think that would be doing this,” said his reason for choosing to make art out of thousands of images of small bikinis is both technical and subconscious.

Joël Moens de Hase "Adele Bloch, Tribute to Klimt," 2014, 39.5 x 39.5, Archival DIgital.

Joël Moens de Hase “Adele Bloch, Tribute to Klimt,” 2014, 39.5 x 39.5, Archival Digital.

“On the technical side,” he said, “I needed to have very simple structures to have a good result on the large scale, because I did try to use other small pictures like faces or places, but when they get very small you don’t see it anymore. The end result was not so good.”

“And then there’s the subconscious part, of course,” he continued. “Why did I do it? You should ask my subconscious. It’s also personal history, of course, and it’s also the charm about love and women.”

He has been asked by several of the gallery’s clients to create mosaics using the other sex, but he’s not thrilled at the notion of searching the internet for 75,000 images.

“You cannot do something with your heart if you don’t like it, especially in art,” said Mr. Moens de Hase, adding of his work, “Maybe there’s also suffering in it.”

Joël Moens de Hase, “A Digital Art Tribute to the Masters,” will be on view July 4 to August 1 at the Monika Olko Gallery, located at 95 Main Street in Sag Harbor. An opening reception will be held Saturday, July 5, from 6 to 8 p.m. For more information, call (631) 899-4740 or visit the gallery’s website.

On View in East Hampton: FAPE Fills American Embassies with Art

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"View Points" by William Wegman, with his dog Penny, 2005.

“View Points” by William Wegman, with his dog Penny, 2005. Part of the FAPE collection now on view at Guild Hall.

By Tessa Raebeck

Art needs no language to be understood; it communicates without spoken word.

This is the idea behind FAPE, the Foundation for Art and Preservation in Embassies, which aims to promote unity and open communication across cultures and countries by putting artwork in United States embassies across the world.

Honoring the long connection between American artists and the East End, the first comprehensive exhibition of FAPE’s collection is opening Saturday, June 28, at Guild Hall in East Hampton. It will be on view through July 27.

FAPE started in 1989 with Frank Stella’s donation of enough prints of “The Symphony” to be sent to every American embassy. It has grown to include the work of noted artists such as Chuck Close, Jasper Johns, Ellsworth Kelly, Roy Lichtenstein and Robert Rauschenberg.

“For the first time, the public will have the rare opportunity to view works commissioned by and donated to FAPE by some of this country’s most iconic artists in a concentrated setting,” said FAPE Chairman Jo Carole Lauder in a press release. “We celebrate these artists’ generosity and the places they hold in the history of American art.”

“Jo Carole Lauder asked me if I wanted to do something and of course I said yes, because it’s a really good thing,” said William Wegman, a FAPE artist known for his books and photos of his pet Weimaraners, the tall and thin gray dogs that were originally bred and used by royalty for hunting. “Also, Jo Carole is a really good supporter of the arts and anything she recommends tends to be worthwhile.”

Mr. Wegman is currently focusing on geometric shapes and sculpture in his photos.

“One of my dogs, Topper, is such a magnificent piece of sculpture and he likes being on top of things,” he explained. “So, I’m accommodating him—I usually do change according to the dogs.”

The first dog he photographed was Man Ray, who became so popular the Village Voice named him “Man of the Year” in 1982. Since then, he’s photographed Fay, her daughter Batty who “was very narcoleptic and could care less,” and an assortment of other Weimaraner personalities.

Batty, he said, “was willing to do anything, but had this sort of whatever attitude, was very comic where Fay was kind of scary and serious.”

“So, when I was casting my first children’s book, Fay became both the Fairy Godmother and the Evil Stepmother and Batty became Cinderella,” he added.

Fay’s firstborn son, Chundo, resembled a prince, but could also be a wolf, as in Mr. Wegman’s well-known 1993 book, “Little Red Riding Hood.”

Chundo, said the artist, was “named after the biggest person I ever met in the south of Chile on a trip I made back in the ’80s.”

After that came Chip, Batty’s son, who was “incredibly handsome and kind of sad looking, so in a lot of my books he became this kind of wistful boyish figure that things happen to.”

Chip’s son Bobbin was “much more scary looking and looked really quite evil, even though he wasn’t. He just had a very severe, humorless face.”

One of Mr. Wegman’s current dogs, Penny, who is featured in the FAPE exhibition, was on the cover of National Geographic. He was asked to create a photo to accompany a February 2012 article on the dog genome.

Penny, who wore dozens of wigs and costumes for the photo shoot, was his best worker, “probably the only dog I never once had to reprimand,” he said.

“She was really remarkable, very still and had this sort of inner quiet to her,” added Mr. Wegman. “Unless there was a thunderstorm and then she disappeared.”

Throughout the exhibition, Guild Hall is hosting panels with the artists, curators and FAPE personnel. Guest Curator Robert Starr, chairman of FAPE’s Professional Fine Arts Committee and dean of the Yale School of Art, is moderating the opening panel on Saturday, June 28, from 3 to 4 p.m.

Panelists include artists Tina Barney, Lynda Benglis, Mr. Close, Joel Shapiro and Carrie Mae Weems. Two additional panels will be held Sunday, July 20, and Sunday, July 27, at 11 a.m.

Lynda Benglis. Untitled (Half Sphere). 2007. Cast bronze. 37.5 x 36 x 17.5 in. Part of the FAPE collection on view at Guild Hall.

Lynda Benglis. Untitled (Half Sphere). 2007. Cast bronze. 37.5 x 36 x 17.5 in. Part of the FAPE collection on view at Guild Hall.

Ms. Benglis first made waves when she burst onto the art scene in the ‘70s. In an ad for Artforum in 1974, she posed naked with a giant fake penis, aiming to mock both artists and feminists who take themselves too seriously, as well as the idea of sexuality. Needless to say, it caused some backlash.

Today, Ms. Benglis splits her time between several art studios from India to New Mexico, working on different projects at each and returning to her home in East Hampton for grounding.

“This is my thinking place and my home,” she said Friday, sitting with her dachshund Pi surrounded by a green jungle of trees on her back deck in the Northwest Woods.

“Their mission,” she said of FAPE, “is to get arts into the public sphere—particularly for peaceful means—to encourage a kind of communication with other countries and embassies and make things more relaxed.”

“We’re a small world now and art is nonviolent, nonpolitical,” she said, adding, “The art’s really about communication and that’s why we have an embassy project, that’s why we have FAPE.”

The opening reception of FAPE’s exhibition is Saturday, June 28, from 4 to 6 p.m. at Guild Hall, located at 158 Main Street in East Hampton. For more information, call (631) 324-0806 or visit guildhall.org.

“Some of the Best Poets on Long Island” at the Wolffer Estate

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Poet Tyler Armstrong. Photo by Michael Heller.

Poet Tyler Armstrong. Photo by Michael Heller.

By Tessa Raebeck

Following the success of his first poetry reading at Wölffer, Tyler Armstrong of East Hampton will be sharing his poetry at the vineyard again Tuesday, June 17.

“I am really pleased to be a major part of the resurgence of poetry as a prominent art form in the area, and I think this reading series can bring a lot to the movement,” Mr. Armstrong said.

Mr. Armstrong’s poetry attracted the attention of Ed Stever, the Poet Laureate of Suffolk County, who has signed on to read his own works at Tuesday’s reading, along with a variety of local readers of all ages. With what Mr. Armstrong calls “some of the best poets on Long Island,” the evening also features the work of Amy Cammel, Tom Olezczsuk, Molly Weiss, Malik Solomon and Emma Macwhinnie.

As part of its Locals Nights every Tuesday, Wölffer offers half-price glasses of wine from 6 to 8 p.m. in the main winery, 3312 Montauk Highway in Sagaponack. Food and half-price wine are available for purchase from 4 to 8 p.m. Entry is $10 per person. For more information, call (631) 537-5106 or visit wolffer.com.