“View Points” by William Wegman, with his dog Penny, 2005. Part of the FAPE collection now on view at Guild Hall.
By Tessa Raebeck
Art needs no language to be understood; it communicates without spoken word.
This is the idea behind FAPE, the Foundation for Art and Preservation in Embassies, which aims to promote unity and open communication across cultures and countries by putting artwork in United States embassies across the world.
Honoring the long connection between American artists and the East End, the first comprehensive exhibition of FAPE’s collection is opening Saturday, June 28, at Guild Hall in East Hampton. It will be on view through July 27.
FAPE started in 1989 with Frank Stella’s donation of enough prints of “The Symphony” to be sent to every American embassy. It has grown to include the work of noted artists such as Chuck Close, Jasper Johns, Ellsworth Kelly, Roy Lichtenstein and Robert Rauschenberg.
“For the first time, the public will have the rare opportunity to view works commissioned by and donated to FAPE by some of this country’s most iconic artists in a concentrated setting,” said FAPE Chairman Jo Carole Lauder in a press release. “We celebrate these artists’ generosity and the places they hold in the history of American art.”
“Jo Carole Lauder asked me if I wanted to do something and of course I said yes, because it’s a really good thing,” said William Wegman, a FAPE artist known for his books and photos of his pet Weimaraners, the tall and thin gray dogs that were originally bred and used by royalty for hunting. “Also, Jo Carole is a really good supporter of the arts and anything she recommends tends to be worthwhile.”
Mr. Wegman is currently focusing on geometric shapes and sculpture in his photos.
“One of my dogs, Topper, is such a magnificent piece of sculpture and he likes being on top of things,” he explained. “So, I’m accommodating him—I usually do change according to the dogs.”
The first dog he photographed was Man Ray, who became so popular the Village Voice named him “Man of the Year” in 1982. Since then, he’s photographed Fay, her daughter Batty who “was very narcoleptic and could care less,” and an assortment of other Weimaraner personalities.
Batty, he said, “was willing to do anything, but had this sort of whatever attitude, was very comic where Fay was kind of scary and serious.”
“So, when I was casting my first children’s book, Fay became both the Fairy Godmother and the Evil Stepmother and Batty became Cinderella,” he added.
Fay’s firstborn son, Chundo, resembled a prince, but could also be a wolf, as in Mr. Wegman’s well-known 1993 book, “Little Red Riding Hood.”
Chundo, said the artist, was “named after the biggest person I ever met in the south of Chile on a trip I made back in the ’80s.”
After that came Chip, Batty’s son, who was “incredibly handsome and kind of sad looking, so in a lot of my books he became this kind of wistful boyish figure that things happen to.”
Chip’s son Bobbin was “much more scary looking and looked really quite evil, even though he wasn’t. He just had a very severe, humorless face.”
One of Mr. Wegman’s current dogs, Penny, who is featured in the FAPE exhibition, was on the cover of National Geographic. He was asked to create a photo to accompany a February 2012 article on the dog genome.
Penny, who wore dozens of wigs and costumes for the photo shoot, was his best worker, “probably the only dog I never once had to reprimand,” he said.
“She was really remarkable, very still and had this sort of inner quiet to her,” added Mr. Wegman. “Unless there was a thunderstorm and then she disappeared.”
Throughout the exhibition, Guild Hall is hosting panels with the artists, curators and FAPE personnel. Guest Curator Robert Starr, chairman of FAPE’s Professional Fine Arts Committee and dean of the Yale School of Art, is moderating the opening panel on Saturday, June 28, from 3 to 4 p.m.
Panelists include artists Tina Barney, Lynda Benglis, Mr. Close, Joel Shapiro and Carrie Mae Weems. Two additional panels will be held Sunday, July 20, and Sunday, July 27, at 11 a.m.
Lynda Benglis. Untitled (Half Sphere). 2007. Cast bronze. 37.5 x 36 x 17.5 in. Part of the FAPE collection on view at Guild Hall.
Ms. Benglis first made waves when she burst onto the art scene in the ‘70s. In an ad for Artforum in 1974, she posed naked with a giant fake penis, aiming to mock both artists and feminists who take themselves too seriously, as well as the idea of sexuality. Needless to say, it caused some backlash.
Today, Ms. Benglis splits her time between several art studios from India to New Mexico, working on different projects at each and returning to her home in East Hampton for grounding.
“This is my thinking place and my home,” she said Friday, sitting with her dachshund Pi surrounded by a green jungle of trees on her back deck in the Northwest Woods.
“Their mission,” she said of FAPE, “is to get arts into the public sphere—particularly for peaceful means—to encourage a kind of communication with other countries and embassies and make things more relaxed.”
“We’re a small world now and art is nonviolent, nonpolitical,” she said, adding, “The art’s really about communication and that’s why we have an embassy project, that’s why we have FAPE.”
The opening reception of FAPE’s exhibition is Saturday, June 28, from 4 to 6 p.m. at Guild Hall, located at 158 Main Street in East Hampton. For more information, call (631) 324-0806 or visit guildhall.org.