Tag Archive | "East End"

Food Trucks: A Family Affair on the East End

Tags: , , , , , ,


hamptonsfoodie2

 

Laurie Trujillo-Mamay’s Hamptons Foodie truck at Sagg Main Beach on Monday. Photos by Mara Certic.

By Mara Certic

As August begins and the masses descend in full force upon the East End, it seems to take longer to do everything. Longer lines mean that the simple process of buying a picnic lunch to take to the beach can eat up a full hour of valuable Vitamin-D time. But entrepreneurial gastronomes are providing an option with affordable food trucks just steps from the dunes.

Laurie Trujillo-Mamay grew up in Southern California, where food trucks are a dime a dozen. She has never had any formal training but has fond memories of being young and vigilantly watching her mother’s every move in the kitchen. “I just love to cook,” she said. “I cook for my family and people always said that I should open something up.”

With rental prices through the roof, opening up an actual restaurant was not an option for Ms. Trujillo-Mamay. One day, a little over 10 years ago, Ms. Trujillo-Mamay saw a food truck for sale in Montauk and decided to look into the feasibility of opening up her own.

Now, her truck ,“The Hamptons Foodie,” is in its 10th year, and has been feeding beachgoers at Sagg Main Beach for the past six summers. Her menu changes and she is always coming up with new recipes, she said. She predominately makes what she describes as “food for foodies.”

Kale and vegetable dumplings are new to the menu this year, and her sesame noodles and fish tacos are also particularly popular. But then again, so are her burgers and peanut butter and jelly sandwiches. “There’s gotta be some things that you cater to everyone,” she said, adding that people often compliment her on her wide range of choices.

“It’s all about good food, friends and family,” she said, and she was not kidding. Not only have Ms. Trujillo-Mamay’s daughter, mother, niece and nephew all helped out in the truck at times, but this summer she has also employed two other groups of mothers and daughters to work in the truck on the busy weekends.

Family involvement is pretty common in the food truck business, it seems, if Montauk-mainstays The Beach Dog and The Ditch Witch provide any indication. The Ditch Witch, located near East Deck motel in Montauk, is the original alternative food truck and is currently celebrating its 20th anniversary this season.

ditchwitch

The Ditch Witch at Ditch Plains

Lili Adams has run the Ditch Witch since 1994, and her children both help her with the day-to-day operations, as do other local kids, year after year. A ceramic tip jar sculpted by local artist Maura Donahue has the words “college fund” taped onto it.

The Ditch Witch serves a range of sandwiches, wraps, and salads as well as a large selection of iced teas, coffees and other drinks. An extensive special menu changes over the season. Last week it included exotic options such as a bahn mi sandwich and Thai chicken wraps.

Pickier eaters can find a selection of hot dogs, grilled cheeses and nachos around the corner at the first parking lot at Ditch Plains. Sisters Jenna and Jaime Bogetti have worked in their grandfather’s food truck, “The Beach Dog,” for years. Jenna, now 24, recalls helping her grandfather, John Bogetti, out from the age of around 12. Mr. Bogetti was in a car crash in May, and so this year his granddaughters have been running the truck on their own.

“The Beach Dog” has been around for 25 years, according to Ms. Bogetti, but this year the girls are running the business out of their cousin’s truck, a grilled cheese truck aptly named “Beacheesy.” But the name shouldn’t fool anyone. Their menu is the same that it always has been and hot dogs are available with all the fixings every day it doesn’t rain.

One of the newest food trucks to the East End is the Purple Truck, owned and run out of Indian Wells Beach by best friends Kerri Wright and Kristen Walles. “Well, we’re family,” Ms. Walles said. The women met at basketball camp when they were 15 and “have been best friends ever since.” Ms. Walles had the idea of opening up a truck serving acai bowls after traveling to Hawaii with her boyfriend, Leif Engstrom, a professional surfer from Montauk.

“We talked about it a lot when we were Australia and we said we should definitely do it. And then we got back here and we said, no really let’s do it.” Ms. Wright said. As restaurants in the Hamptons began to focus more on healthy eating, Ms. Wright and Ms. Walles decided it was the right time to bring the anti-oxidant-filled Brazilian berries to the East End. Their very purple Purple Truck sells dairy-free smoothies and smoothie bowls topped with granola and fresh fruit every day. “We just thought people would love it,” Ms. Wright said.

Kerri Wright, left, and Kristen Walles, right, in the Purple Truck at Indian Wells Beach

Kerri Wright, left, and Kristen Walles, right, in the Purple Truck at Indian Wells Beach

“We don’t add anything else to it, we don’t add sugar,” she said, but added that their younger customers are fans of the Reeses bites and chocolate chips that they keep on hand in the truck.

Occasionally, Ms. Walles’s brother and father help them out, but usually the two girls run the show alone. “It’s easier for us because we understand each other without talking,” Ms. Wright said. “We just balance each other out and it’s good teamwork.”

All four of the trucks are at their spots every day (except during downpours,) during the summer season. On Friday, August 9, East Enders will get a chance to sample food from over a dozen food trucks from as far away as Manhattan that will congregate at Hayground School for the third annual Great Food Truck Derby. The general admission price is $65, and guests can taste samples from each truck. Ms. Trujillo-Mamay and the Hamptons Foodie will be there.

East End Weekend: Highlights of What to Do August 1 to 3

Tags: , , , , , , , , , , , , , , ,


"Reclining Blue" by Christine Matthäi is on view at the Monika Olko Gallery In Sag Harbor.

“Reclining Blue” by Christine Matthäi is on view at the Monika Olko Gallery In Sag Harbor.

By Tessa Raebeck

The roads are clogged, the beaches are packed and somehow August has arrived. You know what that means? There’s even more to do this weekend! Have some highlights on us:

 

The Neo-Political Cowgirls latest performance “VOYEUR” opened Thursday, July 31, and will run performances August 1, 2, 7, 8 and 9. An inside/out theatre installation on-site at Parsons Blacksmith Shop in Springs, “VOYEUR” examines friendship, womanhood and the boundaries of theatre. Click here for the full story and here for more information and tickets.

"SPLASH" by Kia Andrea Pedersen.

“SPLASH” by Kia Andrea Pedersen.

 

Saturday at the Monika Olko Gallery in Sag Harbor, friends, Shelter Island residents and fellow artists Christine Matthäi and Kia Andrea Pederson will showcase their latest work. Originally from Germany, Ms. Matthäi specializes in abstract photography. Ms. Pederson uses more earthy mediums. In the exhibition, “The Call of the Sea,” their work is joined together by its shared celebration of the ocean.

An opening reception will be held at the gallery, located at 95 Main Street in Sag Harbor, on Saturday, August 2, from 6 to 8 p.m. The exhibit will be on view through August 22.

 

East Hampton welcomes David Sedaris, widely considered to be one of his generation’s best writers,
who will be hosting an evening at Guild Hall on Sunday, August 3. The humorist authored such bestsellers as “Naked,” “Dress Your Family in Corduroy and Denim,” and “Let’s Explore Diabetes with Owls.”

For more information, click here.

The evening starts at 8 p.m. and will be followed by a book signing. Guild Hall is located at 158 Main Street in East Hampton. Click here for tickets.

 

The Peconic Land Trust’s major event, Through Farms and Fields, is Sunday, August 3. The benefit features a country supper at hte property of Peconic Land Trust board member Richard Hogan and Carron Sherry, on historic Ward’s Point on Shelter Island. It will honor the conservation philanthropy of Barbara J. Slifka. There is an online auction, as well as a silent auction that will be held the night of the event.

“Delicious Nutritious FoodBook” Hits East End Farmers Markets This Weekend

Tags: , , , , ,


Food Book Cover

 

The cover of “The Delicious Nutritious FoodBook.” Photography by Ellen Watson.

By Mara Certic

The days of mystery meat at school lunch seem mercifully to be coming to an end.  Since First Lady Michelle Obama began updating the White House vegetable garden in 2008 and started the “get moving” campaign, school lunches have steadily been improving and there seems to be a new focus on nutrition and health all around the country.

This is not necessarily a new trend; schools such as Ross have had the means to provide healthy, balanced meals for their students for years. Judiann Carmack-Fayyaz taught Landscape Design at the Ross School before moving to the Bridgehampton School District. Upon changing jobs, she noticed a disparity in the quality of food at the two schools.

“I thought that was fundamentally unfair,” she said, “Food should be a right, not a privilege.” Through her position as a nutrition and culinary arts teacher, she worked with various edible school garden groups on the East End in an effort to teach children about healthy food.

When she was teaching nutrition and culinary arts at Bridgehampton, she said she noticed that even after her hard work, students were going home and eating unhealthy dinners. She decided that she wanted to “remove all obstacles of good eating,” and create an accessible way to educate parents and children alike about what, how and why they should be eating.

Now, after two years of planning, compiling and raising money through a Kickstarter campaign, the “Delicious Nutritious FoodBook” is available for everyone.

“It demystifies nutrition and cooking,” Ms. Carmack-Fayyaz said of the 96-page color book that resembles the Edible East End magazine. “We kept saying we really want something that looks great,” she said.fruits & veggies

Ms. Carmack-Fayyaz and her team sought out healthy recipes from parents, students and teachers in the Edible School Garden network as well as from chefs at some of the best restaurants on the East End. Elementary, middle and high school students have their recipes printed right alongside those from Sen, Nick & Toni’s and many others.

The “Delicious Nutritious FoodBook” is much more than a cookbook though, she said. “What we wanted to do was talk about what is food rather than tell you how to make stir-fried chicken,” Ms. Carmack-Fayyaz said. With production manager Annie Bliss and art director Kathleen Bifulco (and other contributors) she put together a sort of how-to guide to buying food, growing food and cooking and enjoying it.

The book begins with an introduction to “what food is” as well as a handy list of the things that should always be stocked in a pantry. Another section on “how to source food” provides information on the differences between growing food (as well as helpful gardening tips), eating local foods and buying produce in supermarkets. In the section of breakfast, the book talks about the importance of the first meal of the day, including research from the American Dietetic Association that mentions many benefits of eating a hearty meal in the morning. Sections on greens, beans, meat, fish and grains follow, with recipes and helpful tips guiding the reader along the way.

The recipes are not always strict, but are more there to provide certain guidelines, “Part of what we’re trying to tell people is that you don’t always have to know what a quarter cup is,” said Ms. Carmack-Fayyaz.

A whole slew of recipes from “101 Salads” by food journalist, author and New York Times columnist  Mark Bittman are included in the book under the “Eat the Rainbow” section, which discusses the phytonutrients and the reasons why one should eat different colored foods. Mr. Bittman’s recipes are short, unintimidating and do not require any measuring: “Cut cherry or grape tomatoes in half; toss with soy sauce, a bit of dark sesame oil and basil or cilantro.”

There is a two-pronged approach to selling and distributing the “Delicious Nutritious FoodBook,” Ms. Carmack-Fayyaz said. When school starts in the fall, the book will be available for purchase at back-to-school nights and similar events for the nominal fee of $1, which the school will be able to keep for its own purposes.

Funding the book through a Kickstarter campaign means that there are no residual costs to cover. But Ms. Carmack-Fayyaz has decided to expand the project and so, starting this weekend, the book will be available to all at farmers markets on the North and South Forks with a donation of $10 to Edible School Gardens, Ltd. “We want to use these funds to print more copies and maybe we could do a Spanish language version of it,” she said.

“What I would also love to do is get this to Southampton Hospital,” she said. All of the proceeds from those sales will go toward expansion of the project.

The book will be available for purchase at the following farmers markets: Montauk, East Hampton, Shelter Island, Hampton Bays, Hayground School, Flanders, Mattituck and Greenport. It will also be available at the Balsam Farms farm stand in Amagansett, Serene Green in Sag Harbor and at the North Fork Table & Inn farmers market in Southold.

 

 

 

 

 

Why Here? Musicians on the Influence of the East End: Inda Eaton

Tags: , , , , ,


Musician Inda Eaton. Photo by Michael Heller.

Musician Inda Eaton. Photo by Michael Heller.

By Michael Heller

Singer/songwriter Inda Eaton found her way to the East End 10 years ago after spending the majority of her life living in southern California, Arizona and Wyoming. She is a child of parents who always wanted her to be a musician — which never seemed to be a question (“I just knew,” she says.)

 

MH:  So, coming from Wyoming and the West, how did you end up here in Amagansett?

IE:  My music manager at the time was in New York, so I would come to New York quite a bit for music, and it was through friends and connections that I would come out here to visit. I went to school in Boston — I went to BU to study journalism — so I wasn’t completely unfamiliar with the east; but I really didn’t know about Amagansett or East Hampton. In fact the first time I came I was completely shocked—I didn’t even tune into my “Great Gatsby” history lesson of the Hamptons; I really didn’t come here with any stars in my eyes at all, I was just coming to visit, and I was really utterly surprised in the most pleasant of ways. Growing up in the West anyway I could never have stereotyped that a place so close to New York City—which is like Gotham City—would have so much beauty.

 

MH:  The Hamptons are not the hotbed of the music industry like Los Angeles, New York or Nashville, yet after 10 years you’ve stayed here. What has kept you here, even though it may have been harder for your career?

IE:  The reason I was able to dig my heels in was because I did some voice-overs and I did some music-computer interactives for the children’s museum when it was being built, so that was the first reason to be here: “This is a project I can do.” I wasn’t even thinking that this would be my final resting spot; I’m here for this project. And then some other opportunities opened up, one after the other, and I thought to myself, “Hmmm, I think I’ll get more involved in the production side.”

There are some really great people out here. You can’t throw a rock out here without running into somebody who writes or makes music. That’s been very stimulating and interesting to me. And not only their work, but the camaraderie of it, the music community. I travel a lot; I go back and forth between the West, I do a lot of education work. I do a lot of playing. But somehow when I come back here, I feel very nurtured. The music scene, the music community…I think the landscape lends itself to some major creativity that’s probably beyond what I can even articulate. I know it’s obvious when we talk about visual art, and how that can happen through color and light and landscape, but I think it’s often overlooked when we talk about music as well. I couldn’t articulate to you right now, at the kitchen table, how I think that’s changed my writing, but I know that it has.

And I think there’s an edge, I think on Long Island, the history of rock and roll on Long Island is huge, and there’s a tremendous contribution to rock and roll in edginess from Long Island. You would think that that wouldn’t be out here because it is so calm, and everything out here is so “chill,” but having said that I think our year-round community… we give that appearance in our flip-flops, but I don’t know of anybody out here who doesn’t have to figure out some way to exist; maybe that’s the edge. We’re in our flip-flops, but we’re all clinging on to our reserves to figure out how to stay in this beauty. This is not a place where you can go work at the plant, or have abundant work, really; you really make your own existence here, and it has to be a very creative existence. And I don’t know of anybody out here—in the arts or not—who doesn’t have to think twice or three times how to pull their act together to put food on the table…maybe that’s the edge. Amidst all this beauty, we’re trying to develop our own situation.

Interestingly enough, if you ever get invited to a benefit you should go, they’re great shows. They’re great shows because different musicians come together who maybe don’t play together often, and all of a sudden this party happens. But if you looked around and said, “How are these musicians pulling this off?” you really don’t want to ask them that; the reality is that it’s scary. You wouldn’t want to look at their ledger sheets; their ledger sheets don’t balance, really. You want to talk about the leap of faith? I know that’s in every artistic community, but it’s comical, because here we’re doing the benefits, and the truth is we could be having a benefit once a month for all of the brothers and sisters in music. And I think that’s the edge, I really do. That’s the edge.

Why Here? Musicians on the Influence of the East End: Joe Delia

Tags: , , , , , ,


By Michael Heller

Montauk resident Joe Delia–known for his band, Joe Delia and Thieves – has been a musician for most his life, having studied and performed music ever since he was 12. He was one of 12 children in an Italian family in Rockland County, New York, and at age 15 he and his siblings gained notoriety as they hit the charts in the mid-1960s with a family act called The Brothers.

“We were signed to RCA records,” he says, “Sid Bernstein was my manager when I was 15 years old, so I had a lot going on professionally as a child.” Not long after, because of his proximity to New York City, he met studio musicians in Rockland County who helped him get his foot in the door in the so-called “closed shop” of the New York City clique of studio musicians.

 

MH: So how did all of this lead you out to the East End?

JD: While I was working in the city, I studied arrangement and film scoring with Don Sebeski, who was just a great orchestrator and great educator, and that was really a good part of my training professionally. Sebeski was a real key to my professional work; I worked as an arranger and a pianist in studios. Then I met director Abel Ferrera [“King of New York,” “Bad Lieutenant”] in the late ’70s, early ’80s and scored films for him for 20 years, and that’s what really got me into the business.

In ’92 Abel was out here for a week or two, staying in Hither Hills. I came out and said, “I just want to live here,” and a year or two later bought the property and built a house. I had the house for a few years, then met PJ [his wife], ended up getting married and moving upstate. Sold the house here, and life took on another path. It’s been almost 20 years now; we had a son, Jake, and it became a whole new thing.

After not having the house in Hither Hills, the headquarters became the house in Rockland County, and as PJ and I were getting on with our lives we would come out and rent and spend basically a week or two. But we were out a lot, and maybe five years ago this rental came up for us, and so we said, “We’ve got to do it.” So we’re basically in and out of town commuting to Montauk.

 

MH: So what keeps you here, and why do you keep coming back, even though it might be considered by some to be a detriment to your career?

JD: It’s a great question. I think it has to do with the fact that I’ve had a long career that was New York City and L.A.—mostly New York City—but was really an international career; all of the films I’ve made have played all over the world and I’ve made records, etc.  I’ve had a mainstream career in that sense, so that this is another chapter. It’s not a matter of trying to break into the mainstream, obviously, it’s not about coming out here and getting a major record deal and advancing my career in that sense. I think it’s … well, not a “postscript” to my career, but another chapter.

 

MH: How would you describe that chapter?

JD:  It’s wonderful. I would characterize it as doing something that I haven’t done a lot of for 20 or 25 years, which is writing songs and performing them. I’ve been writing themes and background scenes for years and years in the studio. I’ve done some interesting touring over that period—I was with David Johansson and Buster Poindexter for five or six years, and in between I toured with Dave Edmunds—I toured the United States and Japan with them, and so that was great—So I’ve been around, but it’s been in and out of my basic career as a musician writing themes and film music. So I characterize it as really something new; writing songs and performing them. It’s thrilling, and it keeps me coming back. And I think the fact that there’s been a certain amount of acceptance and that people seem to like what we’re doing and that there are songs that people know is really wonderful too. To play, and have people out there who know the songs is really cool.

 

MH: So what keeps you going? What drives you now, to keep writing and doing this?

JD: It’s that feeling of when it does connect. I’m a terrible golfer, but I think the metaphor is the same: you can be a terrible golfer, but if you hit one good one, you get out on the golf course the next day. And I think that it’s a little bit the same with doing this: If you have a really good show and get that input back that you get from the audience. It’s really about the audience; if there’s an audience, it will really get me there. And Montauk’s a great audience. There’s really a nice, vibrant music community out here, a lot of great musicians and wonderful people.

East End Weekend: Highlights of What to Do July 25 to 27

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,


The Montauk Project, Chris Wood, Mark Schiavoni, Jasper Conroy and Jack Marshall, performs at Swallow East in Montauk on Friday, February 28. Photo by Ian Cooke.

The Montauk Project, Chris Wood, Mark Schiavoni, Jasper Conroy and Jack Marshall, performs at Swallow East in Montauk on Friday, February 28. Photo by Ian Cooke.

By Tessa Raebeck

From fast-growing local bands to slow food snail suppers, there’s plenty to do on the East End this weekend. Here are some highlights:

The Montauk Project is playing at Swallow East in the band’s hometown of Montauk Saturday, July 26 at 8 p.m. The local beach grunge rockers, who were born and bred on the island and are steadily gaining more recognition by music critics and enthusiasts alike, released their first full-length album, “Belly of the Beast,” in March. The band, which consists of East Hampton’s Chris Wood and Jack Marshall, Sag Harbor’s Mark Schiavoni and Jasper Conroy of Montauk, will be joined by hip hop/rock hybrid PUSHMETHOD, who were voted the best New York City hip hop group of 2013 by The Deli magazine.

Eastern Surf Magazine said of the East End group, “The Montauk Project is far tighter than every other surf-inspired East Coast rock band to come before it.” Swallow East is located at 474 West Lake Drive in Montauk. For more information, call (631) 668-8344.

 

Also on Saturday, People Say NY presents an open mic and art show at the Hayground School in Bridgehampton, starting at 8 p.m. In addition to featured grunge pop artist Adam Baranello and featured performer Danny Matos, who specializes in spoken word and hip hop, performers of all ages are encouraged to participate.

According to its mission statement, People Say NY “brings art back to the fundamentals, so we can remind ourselves why artists and art lovers alike do what we do.”

The night of music, comedy and poetry has a sign-up and $10 cover and is at the Hayground School, located at 151 Mitchell Lane in Bridgehampton. For more information, visit peoplesayny.com or check out @PeopleSayNY on Twitter and Facebook.

 

In celebration of the release of the “Delicious Nutritious FoodBook” by the Edible School Garden Group of the East End, Slow Food East End hosts a Snail Supper at the home of Judiann Carmack-Fayyaz, located at 39 Peconic Hills Drive in Southampton. The supper will be held Friday, July 25, at 6 p.m.

Guests are asked to bring a potluck dish to share that serves six to eight people and aligns with the slow food mission, as well as local beverages. Capacity is limited to 50 and tickets are $20 for Slow Food East End members and $25 for non-members. The price includes a copy of the new cookbook. Proceeds from the evening will be shared between Slow Food East End and Edible School Gardens, Ltd. Click here to RSVP.

 

Some one hundred historians will converge upon Sag Harbor to enjoy the Eastville Community Historical Society’s luncheon and walking tour of Eastville and Sag Harbor.

The day-long event starts at 8:30 a.m. with a welcome at the Old Whalers Church, located at 44 Union Street in Sag Harbor, followed by a walking tour at 9:30 a.m. to the Sag Harbor Whaling and Historical Museum, the Sag Harbor Custom House and the Sag Harbor Historical Society, which is located at Nancy Wiley’s home. A shuttle bus is available for those needing assistance.

From 11:15 a.m. to noon, guests will visit the Eastville Community Historical Society Complex to see the quilt exhibit “Warmth” at the St. David AME Zion Church and Cemetery. A luncheon catered by Page follows from 12:30 to 2:30 p.m. at the Old Whalers Church in Sag Harbor.

 

The Hilton Brothers, "Andy Dandy 5," 2007, 36 x 48 inches, pigment print. Image courtesy Peter Marcelle Project.

The Hilton Brothers, “Andy Dandy 5,” 2007, 36 x 48 inches, pigment print. Image courtesy Peter Marcelle Project.

The Peter Marcelle Project in Southampton will exhibit the Hilton Brothers, an artistic identity that emerged from a series of collaborations by artists Christopher Makos and Paul Solberg, from July 26 to August 5.

Their latest collaboration, “Andy Dandy,” is a portfolio of 20 digital pigment prints. The diptychs combine Mr. Makos’ “Altered Image” portraits of Andy Warhol with images of flowers from Mr. Solberg’s “Bloom” series.

“Andy wasn’t the kind of dandy to wear a flower in his lapel, but as ‘Andy Dandy’ demonstrates, sometimes by just altering the image of one’s work or oneself, a new beauty blooms,” the gallery said in a press release.

The gallery is open Friday through Sunday from 11 a.m. to 4 p.m. or by appointment.

Galleries from Sag Harbor to South Korea Converge in Water Mill for 7th Annual ArtHamptons

Tags: , , , , , , , , , , , , , ,


"Unnamed IV," 2012-13 by Bob Dylan. Photo by Tessa Raebeck.

“Unnamed IV,” 2012-13 by Bob Dylan. Photo by Tessa Raebeck.

By Tessa Raebeck

Touching art is generally frowned upon, but Bob Dylan encourages it. In his sculpture, “Untitled IV, 2012-2013,” welded iron objects, many of them vintage, are configured into a giant sculpture on the wall, complete with wrenches, wheels and a lever viewers are welcome to crank.

The singer-songwriter’s artwork was on display Thursday at the launch celebration of ArtHamptons, which opened with “Bob Dylan: The Drawn Blank Series” at Mark Borghi Fine Art in Bridgehampton.

The show was reflective of the weekend it previewed. It questioned what art is, with the musician’s paintings of naked women and city apartments next to crumpled up sculptures by John Chamberlain. It celebrated lesser known artists and multi-faceted, non-conforming talent, featuring a man well known for his music but relatively unknown for his artwork. And it brought in a crowd of local gallery owners, noted personalities and regulars on the East End’s art scene.

“Dylan’s work is a visual extension of his lyrical genius,” said Mike Pintauro, curatorial assistant at the Parrish Art Museum in Water Mill. “Esoteric and personal, energetic and slightly deranged.”

ArtHamptons, which takes place at NOVA’s Ark on Millstone Road in Bridgehampton, has been one of the East End’s largest fine art fairs for the past six summers and the seventh edition promises to be the most diverse yet, with art of varied mediums, styles and prices from across the world.

“It’s the largest selection ever,” founder and president Rick Friedman said on Monday, July 7.

Organized by Hamptons Expo Group, ArtHamptons will present more than 80 global art galleries, featuring 2,000 works from some 500 artists.

Although there is considerable international involvement, the fair remains dedicated first and foremost to the local creative talent abundant on the East End. The theme this year is “Escape,” reflective of the idyllic calm that can still be found in some corners of the East End—even in the summertime.

“There’s a lot of local galleries from the Hamptons showing a lot of local artists,” Mr. Friedman said. “We always have a touch of our relationship with the Hamptons art movement of the ’50s, ’60s, ’70s.”

“ArtHamptons is a celebration of the arts in the Hamptons,” said Mr. Friedman. “We’re celebrating that we have such an extraordinarily creative community.”

Local galleries such as RJD Gallery, Bridgehampton Fine Art, Tulla Booth Gallery, Monika Olko Gallery and Chase Edwards Gallery will have booths at the fair.

American representational painter Jane Freilicher, who has a home in Water Mill, and avant-garde theater artist Robert Wilson, founder of the Watermill Center, will be honored.

"IGNAATZ," 1961 painted cut metal by John Chamberlain. Photo by Tessa Raebeck.

“IGNAATZ,” 1961 painted cut metal by John Chamberlain. Photo by Tessa Raebeck.

Galleries are coming to Water Mill this weekend from as close as Sag Harbor and as far away as Hiroshima; with 12 countries represented, the show is more international this year than ever in the past.

The Villa del Arte Gallery of Catalonia, which has spaces in Barcelona and Amsterdam, is bringing the work of Fernando Adam, Karenina Fabrizzi and Claudia Meyer, among others. In “Hybrid ML2” by Christiaan Lieverse, mixed media, cowhide and resin are combined on canvas to create a streaked gray woman’s face with sharp eyes that are hard to turn away from.

The French Art Gallery is bringing the work of esteemed French artists such as Nanan and Pierre-Francois Grimaldo from its gallery in Kensington, London, to the East End.  Dedicated to exposing the vibrant street art scene in France, the gallery is also bringing innovative artists like Speedy Graphito, a pioneer of the French Street Art movement since the early 1980s.

Envie d’Art Galleries, located in Paris and London, will be on hand with a broad and diverse collection that aims to promote artists on an international scale, with exhibitions in cities like Brussels, Chicago, Milan and, Singapore and now Water Mill.

The 418 Art Gallery from Bucharest, Romania, 308 Arte Contemporaneo of La Habana, Cuba and Art Company MISOOLSIDAE from Seoul, South Korea, will also have booths at the fair.

Several galleries from Korea will be present, which “encourages viewers to experience a not so familiar world in a contemporary setting—opening up the culture to new interpretations while further contextualizing the artists’ ideas,” Mr. Friedman said in a press release.

ArtHamptons is Thursday, July 10, through Sunday, July 13, at the Sculpture Fields of NOVA’s Ark in Bridgehampton, located at 30 Millstone Road in Water Mill. For more information and a complete schedule of events, call (631) 283-5505 or visit arthamptons.com.

East Hampton Town Warns of Heavy Surf Conditions, Strong Rip Currents

Tags: , , , , , , ,


Virginia Briggs of East Hampton shakes her fist in the aftermath of Superstorm Sandy in October 2012. Photo by Tessa Raebeck.

Virginia Briggs of East Hampton shakes her fist in the aftermath of Superstorm Sandy in October 2012. Photo by Tessa Raebeck.

By Tessa Raebeck

Strong rip currents currently exist in the Atlantic Ocean along the East End’s beaches and heavy surf conditions are forecast for the 4th of July weekend, East Hampton Town Emergency Preparedness Coordinator Bruce A. Bates announced Wednesday, July 2.

In a message authorized by town supervisor Larry Cantwell, the town warned ocean bathers to swim only at lifeguard protected beaches.

East End Weekend: Highlights of June 27 – 29 Events

Tags: , , , , , , , , , , , , , ,


Marc Dalessio, "Tina Under the Olive Tree" 43 x 35 inches, Oil 2014.

Marc Dalessio, “Tina Under the Olive Tree” 43 x 35 inches, Oil 2014.

By Tessa Raebeck

Marc Dalessio, "Laundry in the Wind" 36 x 28 inches, Oil, 2014.

Marc Dalessio, “Laundry in the Wind” 36 x 28 inches, Oil, 2014.

There’s a lot going on on the East End this weekend. Here are some highlights:

The Grenning Gallery in Sag Harbor is hosting an opening reception Saturday from 6:30 to 8:30 p.m. for a new solo show of Marc Dalessio, a regular artist at the gallery who spent the last year traveling the world looking for beauty. “Ironically, the most beautiful subject was found right at home,” gallery owner Laura Grenning said in a press release, speaking of “Tina Under the Olive Tree,” a plein air painting of his newly wed wife at his longtime farmhouse in Tuscany.

According to Ms. Grenning, Mr. Dalessio’s “humility, a rare commodity in the art world today, is sincere–just look at the paintings. These ideas, although not articulated at the time, explain my personal choice to leave the world of international finance and move to [the] East End almost 20 years ago.”

“The Grenning Gallery,” she added, “was created to provide a stable exhibition space and steady source of capital for these artists to continue their efforts to seek out and record nature’s beauty for the rest of us.”

Ocean the seal in rehabilitation in Riverhead.

Ocean the seal in rehabilitation in Riverhead.

 

A seal named Ocean will be released by the Riverhead Foundation for Marine Research and Preservation Saturday morning at 10 a.m. Ocean the seal will return to his home and namesake following two months of rehabilitation at the foundation after he was found in Montauk suffering from a broken jaw and respiratory condition.

After Oceans of Hope, the foundation’s annual fundraising event Friday, Ocean the seal will be released from under the Ponquogue Bridge in Hampton Bays.

 

 

Design Night Sag Harbor opens high-end stores for charity Saturday in an evening of shopping, wine, and fundraising for at-risk youth. Participating stores are donating 10 percent of sales to Community of Unity, a non-profit that empowers young people at risk to make good choices for their futures.

Ten Sag Harbor boutiques are participating: Urban Zen, Bloom, JanGeorge, Sylvester & Co., La Lampade, Ruby Beets, La Maisonette, Black Swan Antiques, JED and MAX ID NY. Design Night runs from 5 to 8 p.m.

 

Rounding out the weekend Sunday from 4 to 7 p.m. Sylvester & Co. At Home is hosting an opening reception for EJ Camp’s show “Faces of the Sea.” The Amagansett branch of the store, which also has a shop in Sag Harbor, will show the photographer’s photos of the East End sea, from fog over Orient Bay to the tide crashing into the jetty on Georgica Beach in East Hampton.

E.J. Camp, "Trumans Beach Sunset."

E.J. Camp, “Trumans Beach Sunset.”

 

East End Weekend: Top Picks for What To Do

Tags: , , , , , , , , , , ,


Andrew Wyeth, Sail Loft, 1983, Watercolor on paper, 22 x 29 ½ inches.

Andrew Wyeth, Sail Loft, 1983, Watercolor on paper, 22 x 29 ½ inches.

By Tessa Raebeck

The weather’s supposed to be perfect this weekend, why not end a long day at the beach with a great evening out? Here are some entertainment ideas for this weekend on the East End:

 

Rosé Week at the Wölffer Estate Vineyard

Running Friday, June 20 through Thursday, June 26, the Wölffer Estate Vineyard is celebrating its specialty: Rosé, or “summer in a bottle,” as the vineyard calls it.

Wölffer No. 139 dry rosé hard cider.

Wölffer No. 139 dry rosé hard cider.

On Friday at 8 p.m. at the Westhampton Beach Performing Arts Center, the winery’s famed vintage will be available before the Rufus Wainwright concert. For tickets, visit whbpac.org.

The rosé travels Saturday to the Group for the East End’s “Here Comes the Sun!” benefit, at the vineyard from 6 to 11 p.m. The fairly new and equally delicious No. 139 Rosé Cider will be poured for gala guests. For information and tickets, visit groupfortheeastend.org.

Rounding out the weekend—but not the rosé week, which goes till Wednesday—on Sunday on the lawn of the Wölffer residence, “A Taste of Provence” lunch from 1 to 4 p.m. will give guests not just a taste of rosé, but also of a grand meal prepared by Chef Christian Mir of the Stone Creek Inn. The event is reserved for Wölffer Wine Club Members.

For more information on rosé week, visit wolffer.com.

 

“Under the Influence” at the Sag Harbor Whaling Museum

Pairing contemporary artists’ works with those of the artists who have inspired them, “Under the Influence” offers a collection of masters and mentees at the Sag Harbor Whaling & Historical Museum.

Curated by local gallery owner Peter J. Marcelle, the exhibition explores the relationship between nine contemporary artists and the greats whose influence got them started.

The pairs, with the contemporary artist first, are: Terry Elkins with Andrew Wyeth, Eric Ernst with William Baziotes, Cornelia Foss with Larry Rivers, Steve Miller with Andy Warhol, Dan Rizzie with Donald Sultan, Stephen Schaub with Alfred Stieglitz, Mike Viera with Eric Fischl and Gavin Zeigler with William Scharf.

An opening reception is Friday, June 20 from 6 to 8 p.m. at the Sag Harbor Whaling & Historical Museum, located at 200 Main Street in Sag Harbor. All sales benefit the museum. For more information, call (631) 613-6170.

 

Artists Against Abuse to Benefit The Retreat

To benefit The Retreat, the domestic violence services agency in East Hampton, Artists Against Abuse will be held in Bridgehampton Saturday, June 21.

The event, with the theme of Midsummer Night Fever, brings artists, philanthropists and residents from across the East End together in support of The Retreat, eastern Long Island’s only comprehensive domestic violence services organization.

The event will feature Congressman Tim Bishop and actress and social advocate Rachel Grant.

“The World Health Organization reports that in some countries, up to 70 percent of women report having been victims of domestic violence at some stage in their lives,” said Congressman Tim Bishop in a press release. “I have always been a strong advocate for the needs and rights of women. Women play integral roles in the global community and they deserve to be treated with respect by their male counterparts.

The benefit begins at 6:30 p.m. at the Ross School Lower Campus Field House on Butter Lane in Bridgehampton. For more information, visit artistsagainstabuse.com.

 

Shop Til You Drop for Katy’s Courage

Looking for a good reason to shop? Katy’s Courage, a not-for-profit in honor of Katy Stewart, a beloved Sag Harbor resident who passed away at age 12 from a rare form of liver cancer, invites you to shop ‘til you drop for a good cause.

On Saturday from 6:30 to 9 p.m. Sequin in Southampton will be serving cocktails while shoppers browse through designer Gabby Sabharwal’s new swimsuit line, Giejo, and create their own necklaces.

Sequin is located at 20 Jobs Lane in Southampton. For more information, call (631) 353-3137.