Tag Archive | "Inda Eaton"

Why Here? Musicians on the Influence of the East End: Inda Eaton

Tags: , , , , ,


Musician Inda Eaton. Photo by Michael Heller.

Musician Inda Eaton. Photo by Michael Heller.

By Michael Heller

Singer/songwriter Inda Eaton found her way to the East End 10 years ago after spending the majority of her life living in southern California, Arizona and Wyoming. She is a child of parents who always wanted her to be a musician — which never seemed to be a question (“I just knew,” she says.)

 

MH:  So, coming from Wyoming and the West, how did you end up here in Amagansett?

IE:  My music manager at the time was in New York, so I would come to New York quite a bit for music, and it was through friends and connections that I would come out here to visit. I went to school in Boston — I went to BU to study journalism — so I wasn’t completely unfamiliar with the east; but I really didn’t know about Amagansett or East Hampton. In fact the first time I came I was completely shocked—I didn’t even tune into my “Great Gatsby” history lesson of the Hamptons; I really didn’t come here with any stars in my eyes at all, I was just coming to visit, and I was really utterly surprised in the most pleasant of ways. Growing up in the West anyway I could never have stereotyped that a place so close to New York City—which is like Gotham City—would have so much beauty.

 

MH:  The Hamptons are not the hotbed of the music industry like Los Angeles, New York or Nashville, yet after 10 years you’ve stayed here. What has kept you here, even though it may have been harder for your career?

IE:  The reason I was able to dig my heels in was because I did some voice-overs and I did some music-computer interactives for the children’s museum when it was being built, so that was the first reason to be here: “This is a project I can do.” I wasn’t even thinking that this would be my final resting spot; I’m here for this project. And then some other opportunities opened up, one after the other, and I thought to myself, “Hmmm, I think I’ll get more involved in the production side.”

There are some really great people out here. You can’t throw a rock out here without running into somebody who writes or makes music. That’s been very stimulating and interesting to me. And not only their work, but the camaraderie of it, the music community. I travel a lot; I go back and forth between the West, I do a lot of education work. I do a lot of playing. But somehow when I come back here, I feel very nurtured. The music scene, the music community…I think the landscape lends itself to some major creativity that’s probably beyond what I can even articulate. I know it’s obvious when we talk about visual art, and how that can happen through color and light and landscape, but I think it’s often overlooked when we talk about music as well. I couldn’t articulate to you right now, at the kitchen table, how I think that’s changed my writing, but I know that it has.

And I think there’s an edge, I think on Long Island, the history of rock and roll on Long Island is huge, and there’s a tremendous contribution to rock and roll in edginess from Long Island. You would think that that wouldn’t be out here because it is so calm, and everything out here is so “chill,” but having said that I think our year-round community… we give that appearance in our flip-flops, but I don’t know of anybody out here who doesn’t have to figure out some way to exist; maybe that’s the edge. We’re in our flip-flops, but we’re all clinging on to our reserves to figure out how to stay in this beauty. This is not a place where you can go work at the plant, or have abundant work, really; you really make your own existence here, and it has to be a very creative existence. And I don’t know of anybody out here—in the arts or not—who doesn’t have to think twice or three times how to pull their act together to put food on the table…maybe that’s the edge. Amidst all this beauty, we’re trying to develop our own situation.

Interestingly enough, if you ever get invited to a benefit you should go, they’re great shows. They’re great shows because different musicians come together who maybe don’t play together often, and all of a sudden this party happens. But if you looked around and said, “How are these musicians pulling this off?” you really don’t want to ask them that; the reality is that it’s scary. You wouldn’t want to look at their ledger sheets; their ledger sheets don’t balance, really. You want to talk about the leap of faith? I know that’s in every artistic community, but it’s comical, because here we’re doing the benefits, and the truth is we could be having a benefit once a month for all of the brothers and sisters in music. And I think that’s the edge, I really do. That’s the edge.

CMEE Hosts 2nd Annual Music Fair

Tags: , , , , ,


2013 010

A child enjoys the instruments at the CMEE Music Fair last year. Photo courtesy of CMEE.

By Genevieve Kotz

The Children’s Museum of the East End will host its second annual Music Fair on Saturday, June 14, from 10 a.m. to 12:30 p.m.

The fair, which is free and open to families with children of all ages, will let kids learn about music with hands-on, interactive programs and well-known East End performers.

At the fair, attendees will be able to join an improvisational mural painting alongside artist Bob Crimi and musician Jim Turner and join a sing-along with Inda Eaton.

Mr. Turner has recorded albums, played on TV and radio, and appeared in musicals both on and off Broadway as well as being a regular sight at on the East End music scene.

Ms. Eaton is a singer-songwriter and educator who co-founded Ideas to Inspire, which is a music-infused supplemental education program that explores inspiration, song writing and self-expression.

Kids will also be able to jam Ina Ferrara of Music Together by the Dunes, enjoy a Catherine Shay production, create their own tin drum and rain stick, get their face painted and explore instruments throughout the museum grounds.

For more information on CMEE, visit its website at cmee.org.

Nancy Atlas, Caroline Doctorow & Inda Eaton are Bringing the West to Bay Street in “Way Out East”

Tags: , , , , , , , ,


Inda Eaton, Caroline Doctorow and Nancy Atlas will perform at Bay Street Theatre Saturday.

Inda Eaton, Caroline Doctorow and Nancy Atlas will perform at Bay Street Theatre Saturday. Photo by Grover Gatewood.

By Tessa Raebeck

Like many great ideas, it started at the kitchen table.

Building upon years of dinner conversations, East End singer songwriters Nancy Atlas, Caroline Doctorow and Inda Eaton will come together Saturday at “Way Out East…A Journey in Song,” the second show devoted to the combination of their talents.

After selling out the inaugural “Way Out East” concert at East Hampton’s Guild Hall in October 2012, the trio is reuniting, this time at Sag Harbor’s Bay Street Theatre.

“There’s a thing about harmony singing,” said Ms. Doctorow, “and it’s kind of hard to beat three women singing together, because it’s a very appealing sound and situation and it sort of creates one new voice out of the three voices.”

“It seemed like a natural idea to take to the stage for sure, as we all have a certain vocal pocket and timbre that we sing in,” agreed Ms. Atlas. “This definitely grew from pure roots.”

The artists first crossed paths at a songwriter series many years ago, but had never had the chance to get to know each other. That first get-together quickly evolved into regular dinner dates; they have now been meeting at least once a month for the past four years. They’re not unanimous on whose idea or house it originally was, but that doesn’t matter.

“Before we knew it, guitars came out and we were singing at the end of the meals,” said Ms. Atlas, who lives in Montauk and performs with her band, The Nancy Atlas Project.

“Those dinners really feed our souls,” said Ms. Doctorow, who leads Caroline Doctorow and the Steamrollers, “because we talk about everything and it makes you feel—it ’s very comforting to know that other people have felt the same as you.”

“There’s not been one time that I didn’t leave one of these gatherings feeling a bit more inspired,” said Inda Eaton, who lives in Amagansett and lends “a tad bit of maverick energy” to the group with her grassroots band and Western roots.

Between them, the three acts have opened for Blues Traveler, Hootie and the Blowfish, The Band, Alison Krauss, Elvis Costello, Toots and the Maytals, Jimmy Buffett and Crosby, Stills and Nash, just to name a few. Ms. Atlas, Ms. Doctorow and Ms. Eaton, who will be joined Saturday by a few members from each woman’s band, have combined their rock, folk and indie music into a western, distinctly American sound.

With her two friends in tow, Ms. Eaton will return to her home state of Wyoming for a short tour at the end of April.

“This is our hometown show before we go out West,” said Ms. Doctorow, a native New Yorker who lives in Bridgehampton. The set list on Saturday is comprised of “the exact songs we will be playing out on the prairies,” Ms. Atlas added.

Since moving their collaboration from the dinner table to the stage two years ago, the artists have been working together when they can, singing backup at each other’s shows, playing on one another’s records and using each other for inspiration.

“What really helps is the camaraderie,” Ms. Doctorow said. “If one of us is having a problem—the music business is a very tough business—what’s so great is to lean on the experience of the others and the wisdom and the advice.”

“Both Inda and Caroline have given me some of the best advice I’ve ever gotten in this business and I would hope they could say the same about me. We are truly lucky to have found each other,” said Ms. Atlas.

That mutual understanding enables the singer-songwriters to turn their stylistic differences into a harmonious collaboration of their songs for “a lovely, laid back experience,” according to Ms. Atlas.

“Because of the camaraderie, we’re able to bridge our own music styles,” Ms. Eaton said. “Music is its own camaraderie, but there’s an additional camaraderie that goes on that I think comes from the uniqueness of our careers, there’s not too many other women singer-songwriters.”

“To spend time with other women singer-songwriters is very empowering,” she added. “We deal with a lot of the same issues…it’s great to run things past each other and get some of that professional support.”

Each woman also brings distinct skills to the business side of the table. Ms. Eaton is technically savvy—a “multimedia wizard” according to Ms. Doctorow—and can direct the effects and equipment side of a show. Ms. Atlas deals with financial logistics and the people that come with them, negotiating money and ticket prices.

“She’s really a good person to have to go to bat for us if something’s not right with a venue, etc.” said Ms. Doctorow. “She’s very strong in that way.”

Ms. Doctorow covers the “nuts and bolts” of an event, she said, booking the radio, writing the show description and making sure everything is in order to move forward.

“Caroline writes all the time,” said Ms. Eaton. “She’s very prolific and so she’ll put something together and I’ll think, ‘Wow, I didn’t think about that.’ Or Nancy will come up with this real powerhouse song and you walk away thinking, ‘Oh, I didn’t think about that, how inspiring was that?’”

Ms. Doctorow wrote a song for Ms. Atlas, aptly called “Song for Nancy” in 2011 and “My Sunday House,” a song she wrote for Ms. Eaton, is on her latest record.

“What it’s about,” she explained, “is how music becomes your religion when you’re on the road. You live and breathe it and it becomes a vehicle for revival of your spirit.”

“Inda and Caroline understand me in a way that few others do,” Ms. Atlas said, later adding, “We are able to discuss things at a very real and deep level with all the fat cut off. I truly cherish my monthly dinners.”

“You get invited to someone’s kitchen table and that’s where the music sounds the best,” said Ms. Eaton. “That’s the best way to hear music and harmony, just as it comes out of the kitchen table. That’s my hope for the show, is that people get a sense of the authentic essence of a song.”

 “Way Out East…A Journey in Song” is Saturday, April 5, at 8 p.m. at the Bay Street Theatre, 1 Bay Street in Sag Harbor. For tickets and more information, call the box office at 725-9500 or visit baystreet.org.