Tag Archive | "Stages"

East End Weekend: Highlights of August 22 to 24

Tags: , , , , , , , , , , , , , , , , , , , ,


Dean Taylor Johnson, MARILYN. Courtesy Monika Olko Gallery.

Dean Taylor Johnson, MARILYN. Courtesy Monika Olko Gallery.

By Tessa Raebeck

Sick of the beach? That’s strange, but luckily there’s ample else to do around the East End this weekend. Here are our weekend highlights:

 

Introducing his latest body of work, Dean Johnson will show “Living Legends” at the Monika Olko Gallery, with an opening reception on Saturday, August 23, from 6 to 8 p.m.

The show, which features iconic figures in “living pieces,” of mixed media, always changing LED light panels composed of plexi-resin, pigmented inks, film and encaustic wax dyed with oil paints. The Sag Harbor gallery is sponsoring a fundraising event to benefit the Alzheimer’s Disease Resource Center‘s Southampton office as part of the opening reception.

The Monika Olko Gallery is located at 95 Main Street in Sag Harbor. For more information, call Art Curator and Gallery Manager Wafa Faith Hallam at (631) 899-4740.

 

Dougenis, Abstract Rubber Plant (Blue), c. 1977, watercolor on Arches, 25 x 13 inches. Photo by Gary Mamay.

Dougenis, Abstract Rubber Plant (Blue), c. 1977, watercolor on Arches, 25 x 13 inches. Photo by Gary Mamay.

At the Peter Marcelle Project in Southampton, Miriam Dougenis will show her early selected watercolors, with an opening reception on Saturday, August 23, from 6 to 8 p.m.

Known primarily for her contemporary oil on canvas landscapes, characterized by her unique style and the use of familiar locations around the East End, the local artist is also an award-winning watercolor artist. The exhibition, on view from August 23 through September 9, showcases examples of her earliest watercolors from the 70′s and 80′s.

The Peter Marcelle Project is located at 4 North Main Street in Southampton. For more information, contact Catherine McCormick at (631) 613.6170.

 

Before you head to Sag Harbor Saturday, stop by Marder’s in Bridgehampton where there will be free, live music from 3 to 5 p.m. A string trio in the garden will play classical music featuring Vivaldi, Bach and select composers. The concert is free of charge and all are welcome.

Marder’s is located at 120 Snake Hollow Road in Bridgehampton. For more information, call (631) 537-3700.

 

Stages presents “The Wind in the Willows” at the Pierson High School auditorium this weekend, with performances on Friday, August 22, at 7 p.m., Saturday, August 23, at 4 p.m., and Sunday, August 24 at 4 p.m.

Based on the English children’s classic by Kenneth Grahame, “The Wind in the Willows” follows the comedic story of Mr. Toad and his friends, McBadger, Rat and Mole, as they go on the classic, hilarious adventures.

Mr. Toad in his infamous motor car.

Mr. Toad in his infamous motor car.

Helene Leonard will direct the full-length musical production, an original version of the script that was written for television by her late father, Jerry Leonard. Mr. Leonard wrote the music and lyrics along with John Petrone, and there is additional music by Larry Loeber.

All tickets are $15. For reservations, call (631) 329-1420.

 

 

At Duck Creek Farm in East Hampton, Amagansett artist Christine Sciulli will show “Quiet Riot,” an immersive site-specific projection installation presented by the John Little Society.

The installation will be open to the public by appointment and Fridays and Saturdays from 4 to 7 p.m. through September 20.

In her primary medium of projected light, Ms. Sciulli “asks us to consider the potential of simple geometry by projecting these forms onto a network of materials that fragment and expand on their structures.

The installation will be in the John Little Barn at Duck Creek Farm, located at 367 Three Mile Harbor to Hog Creek Road (enter and park at north access to Squaw Road) in East Hampton. For more information on the artist, visit sound and vision or vimeo.

 

BLACKOUT at Bay Street. Photo by Lenny Stucker.

BLACKOUT at Bay Street. Photo by Lenny Stucker.

In the second installment of the new BLACKOUT at Bay Street, Bay Street Theater will feature a cabaret evening of performers from its latest hit, “My Life is a Musical,” on Friday, August 22 and Saturday, August 23.

The cabaret performance is complimentary for those who attend the 8 p.m. Mainstage production of the musical and $15 for those only attending the cabaret at 11 p.m.

BLACKOUT, an evening of cabaret and comedy, will feature the performers singing both musical theater and rock songs. For more information on BLACKOUT at Bay Street, call the box office at (631) 725-9500.

Stages Brings a Favorite Back to Bay Street

Tags: , , , , ,


The cast of Stages' 2006 performance of "Once Upon a Mattress." Photo courtesy of Stages.

The cast of Stages’ 2006 performance of “Once Upon a Mattress.” Photo courtesy of Stages.

By Tessa Raebeck

A twist on the fabled tale of “The Princess and the Pea,” the romantic comedy “Once Upon A Mattress” returns to the Bay Street stage this weekend in three shows by Stages, a Children’s Theatre Workshop, Inc.

A fractured fairy tale that takes a comedic twist on the classic story, “Once Upon a Mattress” has music by Mary Rodgers, lyrics by Marshall Barer and book by Marshall Barer, Dean Fuller and Jay Thompson.

The play will mark the 97th production for Stages, which begins its 20th season of professional-quality shows featuring local young actors this summer.

Director and choreographer Helene Leonard manages a cast of 30 young actors. Local musicians Amanda Jones and James Benard will provide accompaniment.

For Sunday’s Mother’s Day show, all mothers in the audience will receive a crown marking them “Queen-for-a-day.”

“Once Upon a Matress” is Saturday, May 10 at 2 and 7:30 p.m. and Sunday, May 11 at 2 p.m. at Bay Street Theatre, 1 Bay Street in Sag Harbor. For more information, visit stagesworkshop.org, email info@stagesworkshop.org or call 329-1420.

Kids Groups Get Creative With Fundraising

Tags: , ,


web tumblebus

While big ticket benefits with cocktails and sit down dinners have become a de rigueur part of the summer social season out here, there are two local non-profits taking a different tack with fundraising efforts this summer.

This weekend, both the Children’s Museum of the East End (CMEE) and Stages, A Children’s Theatre Workshop, Inc. will host benefits while the sun is still high in the sky. And don’t worry about a babysitter — this time around, kids are encouraged to attend.

“CMEE’s Under The Sea” family fair is Saturday, July 25 from 10:30 a.m. to 1:30 p.m. and comes on the heels of last year’s traditional adults only gala which was held for the first time at the museum itself.

“People said, ‘What a gorgeous space, why not always do it here?’” notes Stephen Long, CMEE’s executive director. “The gala had always been instrumental in raising awareness of the museum, people said, ‘Here’s a chance to show what you’ve done.’”

“Since it’s an institution devoted to kids, the fundraiser should include them as well,” adds Long. “I had a lot of parents say even when money is tight, they’ll still spend money on their kids. We wanted a fundraiser that featured the kinds of things we do on a day-to-day basis. There will be art activities, pony rides, petting zoo, bouncy castles, carnival games, magicians, face painters and a balloonologist.”

Also premiering at the event will be the Hamptons TumbleBus, a brand new kids-centered business started by two local moms. From the outside, it’s a regular school bus, but inside, it’s another story. The seats have been removed to make way for a fully equipped gym for tiny tumblers ages 2 to 8, complete with padded floor, rings, a trampoline, balance beam and more. TumbleBus owners — Bridgehampton residents Cathy Wallick and Michelle Kennedy — plan to bring tumbling programs to youngsters all over the East End through schools, libraries and non-profit groups like CMEE.

And like CMEE, which was founded by a group of moms, Wallick and Kennedy, who have five children between them, started Hamptons TumbleBus as a way to address what they saw as a need in the community.

“With the national obesity problem, we wanted to help children by starting them at a young age to develop self confidence, motor skills and a love of fitness that will continue throughout their life,” says Kennedy. “With this program, we can come to people who may not have this kind of thing available. We’re two local moms and we want to develop something for people here, make it affordable and help children.”

“At a young age structure is so important,” adds Wallick. “We do a warm up, sing songs, stretch, then do the circuit followed by a cool down, and the parachute or something else fun. By then, they’re feeling confident and know exactly what they’re doing. You can see it in their faces when they get it — and they keep moving — they’re not sitting around.”

Also not sitting around are the young actors of Stages — founder Helene Leonard has long made sure of that. The acting program has trained legions of East End children, and on Sunday, July 26, five of Leonard’s teenage actresses will transform into fairy tale princesses for an afternoon of tea and face time with little fans ages 3 and up at the first annual “Princess Party” from 2:30 to 5:30 p.m. at Grenning, Gallery, 17 Washington Street in Sag Harbor.

“It’s by kids, for kids,” says Leonard. “It came out of ‘Beauty and the Beast’ and the way the little girls reacted to the characters. It’s so wonderful. This is how powerful theater can be.”

Princesses will be stationed throughout the space and little girls will have a chance to talk to them and have their photos taken. There will also be a performance and an auction with the types of items little girls love. The party also features goodie bags, cake, a chocolate fountain and, of course, a place to buy tiaras and wands. If all goes well, next year Leonard hopes to include a pirate component to satisfy all the little boys as well.

“We thought how nice to make it an event that would be different and you’d want to take your children to,” says Leonard. “It’s not standing around at a cocktail party, writing a check and going home. It’s unusual to be able to include your children in a benefit situation. I think people are looking for something different to do.”

“Dads are welcome to come too,” adds Leonard. “Princesses need their escorts.”

Stages’ princess party is $60 for an adult and child. Additional children are $35 each. No reservations are required and princess attire is recommended.

CMEE’s family fun fair is $500 for a family of four. Individual tickets are $125 ($90 for children). CMEE is located at 376 Bridgehampton Sag Harbor Turnpike. Call 537-8250 to reserve.

Hungry For More? “Oliver!” is the 75th show for Stages

Tags:


This weekend, when the young actors of Stages, A Children’s Theatre Workshop, Inc. take to the Bay Street Theatre stage to sing “Food Glorious Food” the first number in the musical “Oliver!” it will be a milestone — the 75th production by the East End children’s theatre program. 

“It’s a perfect show for us,” says Stages founder and director Helene Leonard. “It’s a great family show, a wonderful story by Dickens with familiar music. It’s a chance to reintroduce kids to a heartfelt classic from our generation. It also has great roles for kids as well as a great story for adults, all tied up in a bow for Christmas.”

“It’s a perfect memory to make with your family.” 

In some way, “Oliver!” is a gift for Leonard as well, one that represents how far Stages has come since its inception 15 years ago — from presenting simple fairy tales to full length Broadway musicals. 

When Leonard and her husband, Gene Stilwell (Stages president) began the program, they modeled it on the children’s theatre founded by Leonard’s father, Jerry Leonard, in Cleveland, Ohio in the 1960s. 

Leonard credits her father, who wrote original musicals for his theater which Leonard still presents, for being the model of Stages’ success. Like her father, Leonard’s philosophy has always been the same — treat children with respect and expect the utmost in professionalism from them, and they will deliver. She has never been disappointed.

“In the beginning, I didn’t know what would and wouldn’t work,” explains Leonard. “The blueprint was all my father’s — that was in the ‘60s, ‘70s and ‘80s and it still works now. His scripts still speak to this generation. After every show I think, ‘Thanks Dad.’ He always said don’t talk down to the kids, raise the bar and show them they can be as good as they can be. He said ‘You have to train them that this entrainment is for them. They don’t want to be talked down to.’ If you treat them like professionals, they’ll rise to the occasion.”

The Stages program meets afternoons during the school year at the SYS center on Major’s Path in Southampton and as a day camp in summer. It has become wildly popular among East End families. The very first Stages show featured just 14 local children. Now, Leonard says her productions star anywhere from 40 to 57 children from ages 7 to 18. For this show, they are traveling from as far as Stony Brook in the west and Amagansett in the east to take part and in summer, many kids from New York City and beyond who are here for the season join Stages.

Not only has the number of children in the program gone up in the last 15 years, but so too, notes Leonard, has the savviness of the actors and audiences.

“I think that kids have become more sophisticated in their choice of entertainment,” she says. “Not that the fairy tales aren’t wonderful, but I think we’ve gone beyond fairy tales. They want the Broadway shows — Sondheim, ‘Bye, Bye Birdie,’ ‘Oliver!’ and they’re ready. Not that they don’t want to do Cinderella, but they’d rather do ‘Into The Woods.’”

“Audiences, too, are more sophisticated and have grown with our reputation,” says Leonard. 

That sophistication has brought certain benefits to the actors as well. Another milestone of sorts came two weeks ago when Jed Resnick, a Stages’ alumni, appeared not once, but twice, on stage as the lead character in the Broadway show “Avenue Q.” Leonard admits that with Stages, she never intended to train kids for careers on Broadway per se — but with Resnick, it certainly has been a nice side benefit.

“Our goal is not even to have kids go into acting — but those kids have become synonymous with professional training,” says Leonard, who has fielded calls from casting agents seeking actors to audition for productions such as “Billy Elliot” and the Lemony Snicket’s film.

“I also didn’t know so many kids would stay with us over the years,” she adds. “That’s been unexpected and surprising. We really have become a training ground.”

But that, explains Leonard, is just another side benefit. The real goal of Stages has been to develop in kids a level of confidence and a strong sense of self.

“Some kids come to us and they can’t speak,” says Leonard. “They don’t have the skills to communicate and aren’t the most popular kids. They don’t fit in. But they walk in the door and they find a home. They become someone else as a character.”

“The confidence it gives a child is undeniable. For me, that’s the joy,” she notes. “To see a child who’s shy at 7, can’t stand up in front of others and doesn’t know who they are then become a jubilant whole child in a short amount of time.”

“They always surprise me,” she adds. “I’ve been lucky or blessed to have had kids so dedicated and committed to what I’m doing and excited about the live theater experience.”

Leonard adds that the children of Stages also develop a great sense of camaraderie — something that doesn’t generally happen in school sports activities in which kids from different communities compete directly against one another. 

“It’s not only multi-school, but multi generational,” says Leonard. “I see groups of kids of all ages going out together.”

The lessons children learn about life expectations and the need to work as a team are perhaps the most valuable thing they take from Stages. Leonard notes that it has been crucial for children who have grown up used to getting what they want.

“There’s a lot of ‘You owe me a living,’ sentiment out there,” Leonard says. “Kids who have never heard the word ‘no,’ or are used to getting their way. But all of a sudden they re-angle themselves and realize this is something bigger and they won’t always be the center of attention.”

“Learning to deal with disappointment is major,” she adds. “I’ve always said that the way a child deals with disappointment determines the kind of human being they will be. Very rarely do you get the part you think you’re going to get.”

“I think it’s a lesson kids might be learning right now in this economy,” she says. “I think maybe what’s important is going to come to the forefront.”

With exactly 74 productions (soon to be 75) under her Stages’ directorial belt, Leonard is also taking stock personally and notes what’s changed for her in the last 15 years.

“I’m yelling less —maybe because I’m older,” she laughs. “I’ve relaxed.”

“I’ve mellowed, but just a little. Because of our reputation, we have to be just as good as our last production. That’s scary.”

“Oliver!” by Stages, A Children’s Theatre Workshop, Inc. will be offered at the Bay Street Theatre, Long Wharf, Sag Harbor on Saturday, December 20, 2008 at 2 p.m. and 7:30 p.m. and on Sunday, December 21 at 2 p.m. Tickets are $15. Call 725-9500 to reserve.

Above: The Artful Dodger (Kevin Quinn) and Oliver (Lily Spellman)