Tag Archive | "The Parrish Art Museum"

Glackens & Barnes at The Parrish Art Museum

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William Glackens (American, 1870–1938) The Little Pier, 1914 Oil on canvas 25 x 30 inches The Barnes Foundation, Philadelphia and Merion, PA; BF497

William Glackens (American, 1870–1938) The Little Pier, 1914 Oil on canvas 25 x 30 inches The Barnes Foundation, Philadelphia and Merion, PA; BF497

The Parrish Art Museum’s “Curator’s View” series will present an illustrated lecture about the lifelong friendship between artist William Glackens and the collector Albert C. Barnes by Judith Dolkart, The Mary Stripp and R. Crosby Kemper Director of the Addison Gallery of American Art at the Phillips Academy in Andover, Massachusetts, on Saturday, October 4 at 11 a.m.

Ms. Dolkart served at The Barnes Foundation as Gund Family Chief Curator and Deputy Director of Art and Archival Collections prior to her appointment at the Addison. In the talk, presented in conjunction with the Museum’s current special exhibition, “William Glackens,” Dolkart will share her unique perspective on the relationship between the American artist and Mr. Barnes.

Born in 1870 in Philadelphia, Mr. Glackens met Mr. Barnes when the two attended Philadelphia’s Central High School. Years later, Mr. Barnes, who amassed great wealth in chemical ventures, would send Mr. Glackens to Paris with $20,000 to purchase art by Pierre Auguste Renior and Alfred Sisley. Mr. Glackens returned with 33 paintings, prints and watercolors including work by Paul Cézanne, Vincent van Gogh, Maurice Denis, Pablo Picasso, and Camille Pissarro. This began the alliance that would create one of the most important collections of modern art in America.

The lecture compliments The Parrish Art Museums exhibition of Mr. Glacken’s own artwork, the first comprehensive survey of the artist’s work since 1966. That exhibition will be on view through October 13.

For more information, visit parrishart.org.

Watershed Weekend with The Parrish Art Museum & The Nature Conservancy

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WalkingTourAccabonac

Accabonac Harbor. Image courtesy of The Nature Conservancy. 

The Parrish Art Museum has partnered with The Nature Conservancy in two events meant to highlight one of the most pressing environmental issues facing the East End of Long Island: water quality.

On Saturday, September 27 at 11 a.m., the museum will host “Watershed: Artists, Writers, Scientists and Advocates on Our Waters” in the Lichtenstein Theatre. The PechaKucha style talk will feature eight speakers including LEED (Leadership in Energy and Environmental Design) accredited architect Glynis Berry who serves on the Suffolk County Planning Commission and is with the U.S. Green Building Council; Dr. Chris Gobler, a professor at SUNY Stony Brook’s School of Atmospheric and Marine Sciences and an expert on the topic of harmful algal blooms; Nature Conservancy Long Island Executive Director Nancy Kelley, Hampton Bays bayman Ken Mades; Southampton resident and Executive Director of the Lloyd Magothy Water Trust, Thomas McAbee; Southampton Town Supervisor Anna Throne-Holst; Edwina von Gal, East Hampton-based landscape architect and President of the Azuero Earth Project whose mission is to preserve the earth’s ecosystems, protect biodiversity, and promote healthy communities; and artist and teacher at the School of Constructed Environments at Parsons the New School for Design in New York City, Allan Wexler, whose work in the fields of architecture, design, and fine art explores human activity and the built environment.

The museum will follow the discussion with a Sunday, September 28 Walking Tour of Accabonac Harbor, one of the regions most diverse tidal marsh systems. Both programs are being presented in conjunction with The Parrish Art Museum’s ongoing exhibition, “Platform: Maya Lin.”

For more information, visit parrishart.org. 

Southampton School District Voters Approve Parrish Art Museum Funding

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Parrish

Voters in the Southampton School District on April 9 approved a proposition to help fund the Parrish Art Museum’s educational programs and exhibitions. The measure will provide $326,509 in funding—the same amount of money the museum has requested since 2009. The funding accounts for 7 percent of the museum’s annual operating budget.

A total of 178 votes were cast, with 101, or 57 percent of those made in favor of the funding, with 43 percent of voters opposing the proposition.

This is the first year the vote was held at the museum and the first year the proposition was separated from the annual Southampton School District budget vote, which takes place next month.

Following the examples of museums and libraries on the East End of Long Island and across the state, the Parrish chose to move the vote to the museum to enable voters to experience the institution firsthand, and to make clear the proposition is not connected to the school budget.

This is the 42nd year voters have approved requested funding for the museum.

Siegler Quartet Brings All That Jazz to the Parrish Art Museum

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By Emily J. Weitz

This Friday night, people strolling through the Parrish Art Museum will get more than a feast for their eyes. As the Richie Siegler Quartet plays jazz in the lobby of the museum, the music will float down the spine of the space and into all the galleries. While hearing the gentle croon of a saxophone, patrons will also take in the winding ribbons of a deKooning painting, and the bold sheen of a John Chamberlain sculpture.

“I believe music in general and jazz in particular is an art form and it belongs there [at the Parrish],” says Richie Siegler, who plays the drums in the quartet and is the founder of Escola de Samba Boom. “DeKooning and Pollock? Who do you think they were listening to? They were listening to Coltrane. It’s like a big circle.”

When Siegler came to the executive director of the Parrish, Terrie Sultan, he says she lit up at the idea.

“The new building offers endless possibilities for programming, including heightened potential for live performance,” says Andrea Grover, curator of special projects at the Parrish. “Richie is a talented and popular East End musician who knows how to inspire and mobilize a crowd.”

While there is a special performance space, the Lichtenstein Theater, the staff decided to set up the Richie Siegler Quartet right in the lobby.

“We wanted the music to travel through the spine and into the galleries,” says Grover, “reaching the ears of those experiencing the works on view. The building’s central corridor is a great delivery system for sound and more – it connects all activities in the building.”

Siegler has been playing the drums since he was four, and he grew up in Greenwich Village listening to jazz masters. Both at home and on vacations with his family in the Catskills, Siegler was introduced to Latin jazz, including legends like Tito Puente.

While Siegler can play the drums for any genre, it’s jazz, and in particular Latin Jazz, where he has found a following.

He founded the Escola de Samba Boom, a free, year round music school with Monday night workshops. During the summer, when the workshop is held at Sagg Main Beach, it turns into an all out party with hundreds of people crowding around a tight circle of 60 or so drummers. Siegler is often found in the middle, directing with a whistle and riding the sound.

“It’s like cooking a stew,” says Siegler. “We have all the ingredients – 12 people in one section, six in another. My job is to make it all gel. Maybe we need a fresh herb, or some pepper and salt. I make a little adjustment, and when it kicks in, it’s a high. Often we’ll go out afterwards, and we’re all buzzed from the performance.”

At the Parrish this weekend, Siegler brings together a quartet of local talents that includes Siegler on the drums, John Ludlow on alto saxophone, Jeff Koch on bass, and Max Feldschuh on the vibraphones.

“We do some straight jazz,” he says, “and Latin-influenced. We do our own arrangements. I like the group because it has a light sound. There’s no keyboard or guitar. There’s a lot of air in what we do, and I try to stay off the ground.”

Of these four instruments playing together, Siegler doubts it’s the first time a quartet has been comprised of drums, alto sax, vibes, and bass, although he can’t recall another group that had this combination.

“But jazz has been around a long time,” he says. “Everything’s been done.”

Because of the stark design of the Parrish, marble and glass, Siegler feels particularly strongly that there needs to be a good crowd.

“People are acoustical tiles,” he says. “They absorb a lot of sound.”

Siegler has ideas for the Parrish, and he hopes to ride on the success of this weekend’s performance to create a more lasting relationship. Siegler remembers growing up in Manhattan, spending Thursday evenings at MoMA, enjoying live jazz.

“I’d like to see it become a monthly thing at the Parrish,” he says. “People will be encouraged to walk through the galleries and the music will follow them.”

The Richie Siegler Quartet will kick off the evening at 6 p.m. at the Parrish. Tickets are $10 for non-members and free for members.

“Membership is an exceptional deal,” says Grover, “paying for itself manifold if you plan to attend just four or more of our events in a year. I feel lucky, and hope others do, too, to have a major museum in a small community – it makes the bonds of art and life even tighter and more meaningful.”